Jade Turner Reveals Cathartic Lessons of Growth on Third Studio Album, “Breathe”, Out Feb. 7th
A masterful storyteller and dynamic vocalist, trailblazing Canadian singer-songwriter, Jade Turner, invites listeners on a compelling journey of realization and growth on her remarkable third studio album, “Breathe”, out Feb. 7th.
A masterful storyteller and dynamic vocalist, trailblazing Canadian singer-songwriter, Jade Turner, invites listeners on a compelling journey of realization and growth on her remarkable third studio album, “Breathe”. Courageously sharing her most personal project to date, Turner’s diary-like songbook of lessons learned through lived experience offers a collection of thought-provoking, empowering, and poignant songs that continue to resonate long after being heard. Her exceptional, award-winning songwriting and powerful delivery take center stage as she bravely covers topics that include bullying, addiction, self-discovery, and anxiety. Displayed across a musical spectrum of genres - Americana, Roots, and Country, and a range of tempo, “Breathe” features collaborations with legendary artist Crystal Shawanda, and Sebastian Gaskin. On eleven thought-provoking tracks, Turner delivers an unforgettable album that resonates with authenticity, emotional depth, and unwavering strength.
Following the biggest year of her career to date, in 2024 alone Turner received national features on Breakfast Television, eTalk, was a semifinalist in SiriusXM’s Top of the Country competition, and reached over 500,000 streams of her catalogue. She also received her 27th Manitoba Country Music Award nomination and fourth career win, the Vince Fontaine Indigenous Song Award at the 2024 SOCAN Awards, and the Kevin Walters Memorial Songwriting Award from Manitoba Music. Turner performed at the 2024 iHeartRadio Canadian Country Music Awards pre-show presented by TD and was a featured artist at the National Music Centre and SiriusXM’s joint presentation of EQ Live. Along with receiving career-spanning national airplay from CBC Radio and support from NOW Country and NCI FM, Turner’s music frequently appears on the Indigenous Music Countdown. Additionally, she has received multiple award nominations from the Aboriginal People’s Choice Music Awards, Western Canadian Music Awards, and was awarded “Best Country Album” at the 2017 Indigenous Music Awards.
Firmly centered between Americana and Country, Jade Turner’s “Breathe” is a musical encyclopedia of originality, creativity, and the transformation of experience into lessons. Written throughout a time of significant change and transformation, namely becoming a mother, navigating divorce, and the pain of dealing with a loved one in the throes of addiction, Turner’s era of evolution served as the launchpad for her most personal album to date. Deeply rooted in the tradition of storytelling, Turner uses songwriting as her main form of expression, allowing her to create an anthology of songs both experienced and imagined. Turner shares, “The album is a therapy session for me. I don’t normally talk about my vulnerabilities, but this is my way of talking about it - by singing it. ”On “Breathe”, Turner diversifies her sound by delving more deeply than ever before into the Americana and Roots genres, moving away from the boundaries of Country music and allowing her to express herself in ways she previously abstained from. “I wrote this album from a place of ‘what do I need to hear”? I’ve grown into myself, and this album represents my best work - it’s real and authentic to who I am”.
On focus track “You’re Only Nice When I’m Leaving”, Turner surveys the relationships of her past in an anthemic Country ode to the outcomes of ignoring her intuition. With sparse instrumentation featuring just guitar and vocals, Turner’s shrewd songwriting strikes a lyrical chord as she relatably conveys an understanding of her longstanding patterns in relationships. By following her instincts, Turner delicately delivers a message of self-trust and growth, leaving listeners with an empowering sense of determination and clarity.
Five previously released singles demonstrate Turner’s neverending breadth of skillful songwriting and vocal force. Her 2023 release, “Deadweight”, penned with Canadian music legend Crystal Shawanda, is a powerful and moving song about bullying and finding the strength to move past it, marking an important, full circle moment for Turner as she notes that seeing Shawanda on TV was the first time she ever saw someone who looked like her creating and performing music, inspiring the young artist to launch her music career. “That Wind", inspired by Turner's lifelong experience with dogsledding, is a soul-stirring call to pursue one's dreams and was released upon Turner being named a finalist in SiriusXM Canada’s Top of the Country competition. Title track, “Breathe”, co-written with Rhianna Rae Saj and rising star Sebastian Gaskin who later lent his background vocals to the song, is a calming track about anxiety - grounding oneself and overcoming the relentless grip of the inner turmoil felt while experiencing the hard to shake emotion. Blending elements of R&B, Roots, and Americana, the chorus for “Breathe” builds in intensity to mirror the effects of anxiety. The deep vibrations of the track are designed to be a sensory tool, helping listeners ground themselves and return to their breath.
In a testament to her masterful songwriting and compelling storytelling, Jade Turner's "Breathe" reshapes life’s most challenging moments into songs that can ease the burden of change. Her ability to tackle complex themes like addiction, anxiety, and self-discovery with both vulnerability and empowerment highlights her fearless approach to songwriting. More than an album, "Breathe" serves as a reflection of Turner’s evolution as an artist and a woman, boldly embracing every facet of her journey. As she continues to cement her place as one of Canada's most prolific songwriters, Turner welcomes listeners to find solace, strength, and clarity in their own stories with "Breathe".
Upcoming Shows:
Friday, February 7 2025 - West End Cultural Centre - Winnipeg, MB - Tickets
Scotland Based Techno Artist Mha Iri Shares Her New EP, "Leader Of The Pack"
Scotland’s techno chart-dominating powerhouse Mha Iri unveils her latest project to mark her new signing to [PIAS] Électronique - a series of four EPs themed around the four Elements. First EP, three-tracker "Leader Of The Pack" representing the element of Earth, is out now.
Scotland’s techno chart-dominating powerhouse Mha Iri unveils her latest project to mark her new signing to [PIAS] Électronique - a series of four EPs themed around the four Elements. First EP, three-tracker Leader Of The Pack representing the element of Earth, is out now. The first single/title track already received strong support from Mixmag, Magnetic Mag, DJ Mag and SiriusXM.
The release follows her latest five-date tour in Australia, including Eat The Beat Festival alongside Carl Cox, Chris Liebing, Lilly Palmer. Ahead, she’ll play Gashouder with Awakenings for New Year. Mha Iri’s 2024 releases on Drumcode, FOA and TRICK have made her assertive, hyper-speed brand of techno with melodic elements a key part of the scene in very short time.
The Elements theme: Mha Iri is very aware of her Scottish/Gaelic roots, including a ‘deep love for nature. This series of EPs reflects this connection. The four elements – Earth, Air, Fire and Water - provide endless creative interpretation, allowing me to express various aspects of myself as a person and artist’ she says. ‘I found this beautiful amethyst crystal cave in Scotland for the artwork—it felt perfect.’ The first EP, themed around Earth reflects her own grounded and down-to-earth approach in her personal life and career.
EP focus track "Go Hard" goes well hard with rampageous percussion, distorted morse code stutters, mighty breakdowns using doppler to twist the sonic knife as the drop approaches, and a funky male vocal riff – all of it full of hooks from sudden changes or omissions.
"Give You" ft. Argy (UK) keeps up the punishing pace with arp-y bass, a solid wall of beats, and higher, resonant vocal riffs, with melodic phases competing with ripped metal stabs in the breakdown.
Recent EP single "Leader Of The Pack": hits the ground running with racing techno beats, hoover synth chords, and dark, no-prisoners spoken lyrics, while use of doppler FX and multiple stabs keep the vibe dynamic, urgent, relentless. Big breakdowns with siren-sound builds and deep-plunge drops complete the perfect dance fuel.
An emerging star, first in Australia, and now returned in triumph to her native Scotland, Mha Iri was 2023 Beatport #1 best-selling Hard Techno female artist + #2 in Peak Time/Driving Techno, while her five Drumcode and Filth On Acid releases all made Top 10, with two at #1. Her extensive touring schedule this year included Awakenings, Terminal V, Tomorrowland, and killer sets at this ADE's Gashouder for Drumcode X Awakenings and Dockyard X Mystic Garden Festival.
Check out Mha Ira’s new EP right now, stream it on your preferred music service and connect with her on social media.
Chance the Rapper Recaps Miami Art Week, and Celebrates His Star Line Project
Grammy-winning artist and cultural innovator Chance the Rapper left a mark on Miami Art Week, merging music, art, and technology through a series of groundbreaking events that celebrated his forthcoming interdisciplinary project, Star Line.
Grammy-winning artist and cultural innovator Chance the Rapper left a mark on Miami Art Week, merging music, art, and technology through a series of groundbreaking events that celebrated his forthcoming interdisciplinary project, Star Line.
Throughout the week, Chance hosted his Writings On The Wall: A Star Line Listening Experience at Wynwood Studios from December 3-6. The immersive activation offered fans an intimate, multi-sensory preview of his upcoming project, blending surround sound listening, exclusive cinematography, and large-scale visual art. Attendees sat on oversized bean bags, experienced the music through headphones and vibrating subwoofers, and interacted with projected lyrics and visuals that brought the Star Line project to life. The experience encouraged fans to connect deeply with the music by disconnecting from their phones, jotting down thoughts in provided notebooks, and fully immersing themselves in the creative process. Exclusive merchandise was also available, adding a collectible touch to the event.
“While Chance has always been a cerebral creator, a unifying entertainer and an unyielding poet, his gifts and the very meaning behind his work have never been more on display than with this ‘Star Line’ material.” - CHICAGO SUN-TIMES
On December 5, Chance headlined Ocean Drive Magazine’s Art of the Party, a star-studded event celebrating his cover story in their Annual Art Issue. The evening underscored his influence in the worlds of art and music and solidified his reputation as a cultural trailblazer. Check out the cover story here: https://oceandrive.com/chance-the-rapper
Later that night, he made a surprise appearance at Soho House’s Secret Soho Sounds series with an unannounced performance, delighting guests with an intimate set. Chance also performed at Paramount’s Content for Change Creators House, further amplifying the energy of Miami Art Week. He closed out the weekend with a Chicago takeover dubbed Chiami, performing alongside his friends Vic Mensa, Peter CottonTale and more Saturday at the Freehold.
Chance’s presence at Miami Art Week continues his legacy of innovation, offering fans not just music, but a transformative, interactive experience that bridges the worlds of art and sound. Through Star Line, he has reimagined the way audiences engage with music and storytelling, continuing his journey as a defining voice in modern artistry.
For more information about Star Line and updates on upcoming activations, visit https://chancestuff.com.
Interview: D.Matthews Discusses His Latest Single/Video "My Race"
D.Matthews recently dropped his incredible new single, “My Race”, as well as its live music video. DCWS connected with the Australia based Nigerian singer-songwriter and musician to discuss his new release, and so much more.
When you were just starting out as a music creator, who were some of your artistic influences, and when did you know for certain that you had the talent to take your musical aspirations to the next level?
Definitely Patoranking/Fela Kuti/Wizkid/Burna Boy.
I knew I had it in me from a very tender age. It just was not marinated and over the years I have done that and still doing.
Congratulations on the release of your new single "My Race", as well as its live music video. Tell us about your creative process for the development of the song in terms of the theme and message. Also, who produced it?
I had the song right there in my head . I think I flew over to New Zealand discreetly for a couple of things and hit up one of my producers that I need to get a studio session in. Got on the mic and the rest was history.
But prior to that, EARDRUMZ, my producer. I told him I needed a calm & chill vibe and I think we went back & forth once or twice and the vibe just felt right.
We're blown away by the "My Race" music video; it really gave us a taste of what a live show of yours would look like. Why did you decide to film an acoustic version of the song with a backing band?
It felt right in my gut. It had to be done. You definitely know where something had to be done. Yeah. That feeling. That backing band you saw there are my team right there.
Is "My Race" a part of an upcoming EP or album you're working on? If so, what can you tell us about it? If not, what's next for you musically?
No. Just another phenomenal piece of art. There’s definitely more work in stock. But I will keep that for another day. The fans will understand.
How would you compare the Afrobeats music scenes in Australia vs New Zealand? Would you say that the audiences you perform for are receptive to Afrobeats compared to the R&B or pop sounds that they are used to?
Well, over the past 6 years, things have changed in my musical career and in general with the music scene. Personally. Its been more of me trying to put on a shoe that can fit as per my music style etc. At the time in New Zealand, more people were receptive towards afrobeats as it was a majority lover than Pop. I did not perform much of a pop style 6 years ago. But Afrobeats was a number 1 “go to” for most people.
Interview: Emzeezy Talks About His Newly Released EP "WHERE I'M AT"
Big thank you goes out to Bosnia and Herzegovina based rapper and producer Emzeezy who connected with DCWS for an exclusive interview to discuss his recently released EP "WHERE I'M AT", and much more.
How did you get started as a music creator, and who have been some of your influences in terms of producers and artists?
Well it kind of came gradually. When I was about 11 or 12, I started getting into hip-hop, listening to a lot of old school and early 2000s hip-hop on YouTube. This included artists such as Lil Wayne, Eminem, 50 Cent, Tupac etc. You know, all the usual suspects. As I got older I started getting into newer stuff and into alternative hip-hop.
At about 14 I started writing raps, I was listening to hip-hop basically 24/7. I wasn't thinking of ever really making songs, It was just sort of something that I enjoyed doing. I mention it all the time, writing songs always felt very therapeutic for me and it still does. Not long after, I started recording music and releasing it on Soundcloud and YouTube. I started out rapping on free beats and doing remixes. At the time, I didn't even think about making beats because, to be honest, I was rapping because I loved doing it. It was only a couple of years ago when I really started getting good at producing, mixing, mastering etc. I guess that's where I kind of began "doing it seriously" haha.
In terms of influences, there's a lot. I listen to all kinds of different genres. Some of my main influences would be The Notorious BIG, Kendrick Lamar, Eminem, MF DOOM, Jay-Z, Three 6 Mafia, 50 Cent, Madlib, Kanye. Again, I listen to a lot of music, so don't take this as a top 10 or anything like that.
Congratulations on the completion and release of your new EP, "WHERE I'M AT". Tell us about your creative process as a rapper and producer for its three tracks.
Thank you! Well, with this EP, I wouldn't say I had an exact idea of what it should be or what it would sound like when I started making it. However, in the process of making it, I realised that most of the songs didn't really tackle how I was feeling at the time. It felt like I was avoiding something. And after a while, I kind of just decided to say to myself "Hey, let me make a shorter project where I can express exactly how I'm feeling right now". This is where the title track "Where I'm At" came from.
I didn't want to sugar-coat anything, whether I was expressing how I felt about myself or how I felt about other things, like the creative process and how for a while, I felt a bit bored and maybe even uninspired or discouraged with how everything was going. I took the same approach when making the other two songs on the project. I wanted to focus on the introspection, which has always been a part of my music, while still keeping the lyrical aspect alive which includes the various punchlines and flows.
How would you say that your latest EP differs conceptually and musically from your first, "EMPTY"?
I think they're similar in many ways but the main difference, in my opinion, was the fact that I took the more introspective approach on "WHERE I'M AT". I think "EMPTY" has that aspect to it as well but most of the focus on that project was on being lyrical and just making dope tracks.
Tell us about the hip-hop music scene in Bosnia and Herzegovina; is it easy to build a fanbase there and are there a lot of venues to perform?
Well the hip-hop scene here is pretty interesting to say the least. To elaborate, hip-hop as a genre isn't the most popular genre in Bosnia and Herzegovina but it is still popular, particularly amongst my generation and younger people in general. However, there aren't really many venues to perform at, especially when you're just starting out so I would say that it's a challenge to grow a fanbase.
With 2024 winding down, what are some of your goals musically for the next year?
My main goal is to try and release more music consistently in 2025. That's always the main goal, to release as much quality as possible. However, I don't think I'm fully done with 2024 just yet. I might drop a few more songs before the year ends, fingers crossed.
Stream and Share “WHERE I’M AT” on Spotify
Connect with Emzeezy: Instagram
Brooklyn Post-Hardcore Band Common Sage Release Their New Album, "Closer To;"
Legendary independent New York-based rock label Equal Vision Records and Common Sage are excited to announce the release of Closer To;, the Brooklyn, NY-based post-hardcore band’s brand new studio album.
Legendary independent New York-based rock label Equal Vision Records and Common Sage are excited to announce the release of Closer To;, the Brooklyn, NY-based post-hardcore band’s brand new studio album (stream/purchase HERE). Recorded and produced by Brett Romnes (Anxious, Oso Oso, Hot Mulligan, The Movielife) at The Barber Shop Studios in Lake Hopatcong, NJ, Closer To; features the album’s new single, “47.”, a song about self reflection, specifically on some negative aspects that sometimes frontman Julian Rosen finds himself acting on. Watch the music video for “47.”, directed and edited by Rich Weinberger (Gatherers), below.
Additionally, Common Sage will be making numerous west coast appearances supporting Reggie & The Full Effect, kicking off on December 6 in Roseville, CA. A full listing of dates can be found below, and more information on tickets can be found on the band’s site HERE.
Whether it’s acknowledged or not, starting a “post-hardcore” band in this era is not a decision to be taken lightly. The genre, rife with copycats, naysayers, and gatekeepers, can be one of the most critical of its kind. This is why, upon first listen to Common Sage, one should keep an open mind. The Brooklyn, NY based quartet brings to the table not only a serious deference for their groundwork laying predecessors, but they offer something new to the scene altogether—which is much easier said than done.
Common Sage’s sound feels like a modern take on the melodic side of post hardcore with a strong influence from the legendary Long Island emo scene. When these dualistic stylings are partnered with a dissonant, cacophonous riff-storm, they sound something like Quicksand and Title Fight dancing a delicate ballet. This is no doubt a very calculated and deliberate musical high wire act, and it’s not something that can be accomplished by a band that has not done their due diligence.
Herein lies the secret to Common Sage; it’s less of what they choose to put on the canvas as artists, but more of what they choose to hold back that shows the true nature of the band. While something such as a simple three chord breakdown could have served them greatly in the short term—the band opts for much more artful choices, making veteran level structural decisions that you would expect from innovative songsmiths like Modest Mouse or mewithoutYou. It’s easy to see why industry pillars like Geoff Rickly and Steve Pedulla of the band Thursday or Jason Gleason of Further Seems Forever were quick to lend their talents and to the band's new music.
This is why it is so fitting that Sage, a medicinal herb, when burned is used to cleanse the air of all its impurities. One can only hope that Common Sage can accomplish something similar within their genre, clearing out the staid tropes of the past and making way for something new to appear out of thin air.
Common Sage will be making the following U.S. appearances next month. Dates below.
DECEMBER
06 — Roseville, CA — Goldfield Trading Post #
07 — Anaheim, CA — Chain Reaction #
08 — West Hollywood, CA — The Roxy #
10 — Denver, CO — Marquis Theater #
# — supporting Reggie & The Full Effect
Connect with Common Sage: Website | Instagram | X | Facebook
Emzeezy Presents His Newly Released EP, "WHERE I'M AT"
Emzeezy is a talented up and coming rap artist and producer from Bosnia and Herzegovina who recently unveiled his latest EP “WHERE I’M AT”, featuring the three songs, “Frail”, “The Song I Never Wrote (Self Conscious Part 2)”, and the title track.
Emzeezy is a talented up and coming rap artist and producer from Bosnia and Herzegovina who recently unveiled his latest EP “WHERE I’M AT”, featuring the three songs, “Frail”, “The Song I Never Wrote (Self Conscious Part 2)”, and the title track.
“WHERE I’M AT” follows Emzeezy’s last project, “EMPTY”, and includes his production on two of the three tracks, as well as production from BIG SPICE.
Speaking about the release, Emzeezy says that the “lyrical content on this EP is pretty introspective and paints a vivid picture of where my mind was at when I was writing the songs”.
Social Music Platform Hangout is Now Live: Listen to 100 million Songs With Your Friends!
Hangout by Turntable Labs, Inc., a new virtual listening community connecting users through music discovery and curation, has just launched on the web, iOS and Android.
Hangout by Turntable Labs, Inc., a new virtual listening community connecting users through music discovery and curation, has just launched on the web, iOS and Android. Featuring songs from the world’s leading music companies, Hangout provides its community with access to over 100 million tracks, including licensed content from across the recorded music catalogs of Sony Music Entertainment, Universal Music Group, Warner Music Group, and Merlin, the digital music licensing partner for the world’s leading independent record labels, distributors and other music rights holders.
Starting now, users can sign up, select an avatar, invite friends to their personal space, known as a Hangout, and take turns playing songs from their favorite artists in the virtual DJ booth. Hangout was built to be a refreshing social media alternative where appreciating and enjoying music as a community is central to the experience. Inspired by queuing up the jukebox or putting on a favorite album with friends, Hangout’s online listening spaces allow users to unite over mutual favorites, discover new artists alongside their peers across the globe, and express their musical passions together via the virtual dancefloor and the chat function.
“With our broad global partnerships across the music companies in place, Hangout begins its journey to redefine the intersection of music and social media,” said Joseph Perla, Founder and CEO of Hangout. “Our vision has always been to create a platform that celebrates the joy of music but also helps support the music industry. Today marks a monumental step toward that goal.”
Said Mark Piibe, Executive Vice President, Global Business Development & Digital Strategy, Sony Music, “We’re pleased to support the continued growth of opportunities for fans to experience and listen to Sony Music artists in shared social spaces that fairly value their work. We look forward to working with Hangout to enable its users to build communities around their favorite stars and discover and curate music together.”
“UMG has always strived to support the development of innovative new licensing models that drive music consumption and increase fan engagement, so we are delighted to announce our strategic alliance with Hangout. Social listening continues to become a key component of the fan experience, driving loyalty and conversation amongst engaged artist communities and Hangout will help power these fan experiences in a unique and compelling way,” said Kristen Bender, SVP, Digital Innovation Strategy & Business Development at Universal Music Group.
"We're thrilled to partner with Hangout to bring our diverse catalog of artists to this innovative music platform," said Rachel Scarpati, VP, Business Strategy & Business Development, WMG. "This partnership underscores WMG's commitment to pioneering new avenues for music discovery, fostering community, and providing fans with dynamic ways to engage and share their love for music."
“Community is at the center of independent music,” said Ryan McWhinnie, VP of Business & Legal Affairs at Merlin. “This partnership with Hangout brings new opportunities for our global membership and their artists to connect with fans and broaden their communities. It represents our commitment to creating innovative revenue streams and delivering unmatched opportunities for our membership.”
Through its strong partnerships with the music industry, Hangout is committed to benefiting artists by cultivating an environment that fosters creativity, connection and collaboration.
Hangout is available on the web, iOS, and Android. Visit Hangout to sign up today.
About Hangout
Hangout by Turntable Labs, Inc. is a new social platform that connects users through the shared love of music discovery and curation. Designed as a virtual hub for music enthusiasts, Hangout offers a 24/7 experience where users can spin their favorite tracks, explore new music, and interact with a global community of fellow music lovers. With access to a vast library of over 100 million songs from the world’s leading music companies users can step into the virtual DJ booth and create personalized spaces. Hangout is accessible on the web, iOS, and Android.
Powerhouse Electronic Music Artist HAYLA Releases Her Debut Album "DUSK"
UK-based HAYLA is a powerhouse vocalist and high-calibur songwriter who just released her debut solo album "DUSK", featuring the singles “Freefall,” “Embers” and “Fall Again.”
London, UK-based HAYLA is a powerhouse vocalist and high-calibur songwriter who is called upon by many prominent electronic music acts–from Kx5 and John Summit to KYGO, Meduza and Sub Focus just to name a few–to write with and perform on their biggest singles. She now celebrates the release of her debut solo album DUSK (Restless Minds Music/Believe UK).
Touted a notable album by NPR Music, each song on DUSK runs deep exploring different themes of love lost and won to anxiety, regained strength and dreams. The ten-track collection recorded over three years, consists of all original songs along multiple styles and genres, penned and performed by HAYLA with production from a variety of producers including Andy Sheldrake, Blanke, Carl Ryder & Nick Henriques and more.
Highlights on HAYLA’s DUSK include the downtempo electronica piece “Unfold” that has a storytelling style of songwriting which she wrote to herself addressing the internal battle of wanting connection but understanding one needs to spend time on their own to be themselves and heal. The infectious “Visions Of You”--which HAYLA labels the happiest track on the album–is for when you’re star struck by infatuation and the thoughts of that one person that gets you through your day. The title song is an experimental track which houses 12 part choral vocal swells and a comforting beat, produced by HAYLA herself and inspired by her favorite time of day.
From John Summit’s mega hits “Where You Are” and “Shiver” to deadmau5 x Kaskade’s Top 40 smash “Escape” from their GRAMMY nominated Kx5 project, HAYLA has been dazzling dance fans across the globe alongside her own singles from DUSK , "Embers," "Fall Again" and "Freefall." HAYLA has over 6.6 million monthly listeners on Spotify alone with her biggest track–the Platinum certified “Where You Are” reaching over 161 million plays. Her song with KYGO “Without You” appears on his current album and most recently she paired with Meduza on their single “Another World.”
To support the release of DUSK in the U.S., HAYLA will make her first ever major headlining performance December 4 at The Roxy Theatre on the world famous Sunset Strip in Los Angeles. The high-production album release party will have HAYLA performing live many selections from DUSK as well as her popular collaborations such as “Shiver,” “Escape,” “Without You” and “Another World.” A limited number of tickets remain here.
Over the last year HAYLA has performed in front of sold out crowds at iconic venues around North America with her collaborators. The dance music sensation joined John Summit during his closing set of Coachella 2024 to perform their single “Shiver”' for thousands of fans in the festival’s famed Sahara tent and those watching the live stream from home–and then again caused buzz for her guest performance of “Where You Are” and “Shiver”' at his recent Madison Square Garden play. HAYLA also joined deadmau5 as a special guest for his ‘retro5pective’ shows at the Hollywood Bowl in Los Angeles and New York’s The Brooklyn Mirage and Kygo at his Palm Tree Festival events in Hawaii and the Hamptons. Look for HAYLA to join Kygo again for select European dates of his World Tour before the end of 2024.
Check out the incredible DUSK album below, stream it on your preferred music service and connect with HAYLA on her social media.
Orey Eyed Presents His First Album Entitled "Dozing Off While Driving"
Orey Eyed, a music project of the South Korean born singer-songwriter, producer, and multi-instrumentalist Jaehyun Kim, has unveiled the first full-length LP, titled “Dozing Off While Driving”.
Orey Eyed, a music project of the South Korean born singer-songwriter, producer, and multi-instrumentalist Jaehyun Kim, has unveiled the first full-length LP, titled “Dozing Off While Driving”.
Featuring performances and production from himself as well as a vocal performance from Ohio-based singer-songwriter mimete on the sixth track “Scarlet Noise”, the record encompasses a wide range of genres from dream pop and shoegaze to electronic rock and alternative.
The twelve-track album discusses various topics such as escapism, bisexual identity, apocalyptic future, and unconditional love, too. Easily-identified sounds of dreamy, lush synths, psychedelic guitars, and airy vocals are found all over the album, establishing a solid identity of the project.
Live dates as well as the detailed release dates for the deluxe version of the album will be announced soon. In the meantime, listen to “Dozing Off While Driving” below, stream it on Bandcamp and Apple Music, and connect with Orey Eyed on his social media.
Stream and Share “Dozing Off While Driving”: Apple Music | Bandcamp
Mary J. Blige Unveils Her 2025 ‘The For My Fans Tour’ Dates
Grammy and Emmy award-winning and Oscar-nominated, “Queen of Hip-Hop Soul,” Mary J. Blige announced her 2025 “The For My Fans Tour” with special guests NE-YO and Mario.
Grammy and Emmy award-winning and Oscar-nominated, “Queen of Hip-Hop Soul,” Mary J. Blige announced her 2025 “The For My Fans Tour” with special guests NE-YO and Mario. The tour comes on the heels of her new album “Gratitude,” set for release on November 15. The tour and album are a celebration of the love and gratitude that Mary has towards her life, family, friends, and her beloved fans.
Produced by Live Nation, the 27-city tour includes a stop at UBS Arena, located 30 minutes from Penn Station or Grand Central via LIRR in Belmont Park, NY, on Friday, April 11, 2025.
“I am so excited to kick off this tour. I have amazing fans and am so grateful for all of the love and support they have given me throughout the years,” said Mary J. Blige. “This tour is for them, and I cannot wait to be able to travel to all these cities and see everyone. I am in such a place of immense gratitude and peace at this moment, so also having the chance to release my new album “Gratitude” on November 15 ahead of this tour is really special to me.”
Blige will release her new studio album, “Gratitude,” on Friday, November 15, through her own Beautiful Life Productions and in partnership with 300 Entertainment. In August, she dropped the first single off the album, “Breathing” featuring Fabolous.
Ahead of both the album release and tour, Blige will be inducted into the Rock and Roll Hall of Fame with the rest of the class of 2024 on October 19 in Cleveland, OH.
VIP: The tour will also offer a variety of different VIP packages and experiences for fans to take their concert experience to the next level. Packages vary but include premium tickets including reserved booths & tables, access to the VIP Lounge, exclusive VIP merch item, limited edition VIP poster & more. For more information, visit vipnation.com!
TICKETS: Tickets will be available starting with artist presale beginning on Tuesday, October 1. Additional presales will run throughout the week ahead of the general on-sale beginning on Friday, October 4 at 10 AM at LiveNation.com.
PRESALE: Citi is the official card of The For My Fans Tour presale. Citi cardmembers will have access to presale tickets beginning on Wednesday, October 2 at 10 AM until Thursday, October 3 at 11:59 PM through the Citi Entertainment program. For complete presale details visit www.citientertainment.com.
MARY J. BLIGE – THE FOR MY FANS TOUR 2025 DATES:
Thu Jan 30 - Greensboro, NC - Greensboro Coliseum
Fri Jan 31 - Raleigh, NC - Lenovo Center
Mon Feb 03 - Atlanta, GA - State Farm Arena
Thu Feb 06 - Charlotte, NC - Spectrum Center
Sat Feb 08 - Tampa, FL - Amalie Arena
Tue Feb 11 - Hollywood, FL - Hard Rock Live
Fri Feb 14 - New Orleans, LA - Smoothie King Center
Tue Feb 18 - Houston, TX - Toyota Center
Fri Feb 21 - Ft. Worth, TX - Dickies Arena
Tue Feb 25 - Denver, CO - Ball Arena
Sat Mar 01 - Los Angeles, CA - Intuit Dome
Fri Mar 07 - San Francisco, CA - Chase Center
Sat Mar 08 - Sacramento, CA - Golden 1 Center
Wed Mar 12 - St. Louis, MO - Enterprise Center
Fri Mar 14 - Chicago, IL - United Center
Sun Mar 16 - St. Paul, MN - Xcel Energy Center
Wed Mar 19 - Detroit, MI - Little Caesars Arena
Sat Mar 22 - Buffalo, NY - KeyBank Center
Mon Mar 24 - Toronto, ON - Scotiabank Arena
Wed Mar 26 - Washington, DC - Capital One Arena
Fri Mar 28 - Atlantic City, NJ - Boardwalk Hall
Wed Apr 02 - Columbus, OH - Nationwide Arena
Fri Apr 04 - Baltimore, MD - CFG Bank Arena
Sun Apr 06 - Newark, NJ - Prudential Center
Thu Apr 10 - New York, NY - Madison Square Garden
Fri Apr 11 - Belmont Park, NY - UBS Arena
Mon Apr 14 - Boston, MA - TD Garden
Taiwan Based Singer-Songwriter Niki Releases Her Fifth Album "Pride and Prejudice"
Niki is a Taiwan based singer-songwriter who is thrilled and relieved to unveil her fifth album, “Pride and Prejudice”. The album includes a total of 15 tracks, and all made it to the charts from No.1 to 50 on StreetVoice, Taiwan’s local indie streaming platform.
Niki is a Taiwan based singer-songwriter who is thrilled and relieved to unveil her fifth album, “Pride and Prejudice”. The album includes a total of 15 tracks, and all made it to the charts from No.1 to 50 on StreetVoice, Taiwan’s local indie streaming platform. The entire album is inspired by and dedicated to her ex, expressing all the up and mostly down emotions that occurred throughout the 15-month relationship.
The boy, a narcissist, sexist, materialistic and patriarchal, pretended to be a man and ended up creating a heart-break album. It covers topics that often occur in the post-relationship period, and she hoped that her lyrics would strike a chord with her listeners and act as a haven for some. “Pride and Prejudice” is Niki’s side of the story and her farewell and last romantic gesture to the inspiration himself. (It is definitely not a revenge album.)
Unlike the previous albums Niki has released, “Pride and Prejudice” consists of a collection of tracks made and recorded within two weeks using an entry-level USB microphone, as she hoped to document the authenticity and feelings for her break-up. Even though the lyrics themselves are direct, irritating and gut-wrenching, Niki has teamed up with Casper Yang, a famous and talented Taiwanese producer/singer, to add elements to the arrangements to create a variety of genres, including country, RnB, folk, soft rock, and more.
The album evolves around several topics, including how people nowadays often ‘replace broken items instead of fixing them to last,’ how men frequently choose ego and pride over something real to hold onto, how promises are often made just for sex, and how goodnights turned into goodbyes.
Listen to “Pride and Prejudice” below, as well as on your preferred streaming service, and connect with Niki on her social media.
Stream and Share “Pride and Prejudice”: Apple Music | YouTube Music | StreetVoice
Connect with Niki: Instagram
Interview: JSDavani Talks About His "The Melancholiac II" Album
"The Melancholiac II" is the recently released experimental album from JSDavani. DCWS connected with him for an exclusive interview to discuss the album's creation, and a lot more.
Congratulations on the completion and release of your album "The Melancholiac II". Tell us about your creative process for the development of the songs.
Thanks for the compliments! This project was really organic and developed really quickly, in the aftermath of 2 previous projects. In Oct. 2023, a close friend had died near the completion of an album, FTCHRS, that ended up being dedicated to him. It also prompted me to immediately begin, complete, and release a project for my father (while he is still alive). That project, “Son of Man of Chair”, was completed in Feb. 2024.
After all of that, I was emotionally spent but still had some ‘leftover’ tracks and ideas that I continued to work on. I ended up a bit more depressed than I’d realized and ended up using this album to work thru a lot of different issues. “The Melancholiac II” definitely follows a similar progression that ran parallel in its’ own ways.
How long did it take for you to complete?
I worked on this project obsessively last spring, from March-May 2024.
Would you say that there is an overall theme or concept to the album? Also, what does the title represent?
The theme of the album deals with mental health issues, most notably depression/anxiety and substance abuse/addiction, all of which, I’ve experienced in my own life.
While working on this album, I experienced depression/anxiety, as well as the daily triggers an addict may experience. Instead of reacting in my life, I reacted on them vicariously thru the character I created, the Melancholiac. That became a cathartic and novel experience for me. The title is definitive, a Melancholiac being someone who is chronically depressed/melancholy. The II is an homage of sorts to Dean Blunt’s, the Narcissist II, an all-time favorite of mine.
The story here is that someone is bummed out/depressed. It doesn’t get better so they relapse/choose to use. The character goes thru all the motions- and emotions- the rush, the guilt, the denial, etc. before waking up/realizing they should do better. The story ends on an ambiguously positive note. That’s how recovery and mental health often is. Ambiguously tho Absolutely certain that Relapse doesn’t have to be the end.
If "The Melancholiac II" was to be the soundtrack to any movie, which one would you pick, and why?
While making it I thought about somehow creating a movie off the audio.. so this question totally reinforces that idea! Most movies about depression/addiction end dramatically with suicide/overdose. This movie would have to end on that ambiguously positive note with the character going to therapy and a methadone clinic, both of which still face an issue of stigma in society.
How did you get started creating music and what instruments do you play currently?
I used to play trombone in middle school band, and guitar in 8th grade. I learned all the other instruments in high school and got into experimental/noise scenes in college. I’ve continued building on things and embraced synthesizers and digital tools more recently, and to help create all these projects/stories.
What are some things/people/places that inspire you to create new art, whether it be music, or multimedia, and do you ever get "writer's block"? If so, how do you overcome it?
Creativity is organic and feeds off everything. I think being open-minded helps clear out any blockages to free up inspired thoughts. It also helps to have a variety of projects. I currently have 5 or 6 different projects lined up for release, as soon as this month (B.A.&the.G.S), a local arts exhibit in a few months with some experimental photography, and numerous projects throughout next year. OH and as of now, the Melancholiac II, the film, release date TBA (lol).
Tell us what made your friend Supreet Singh the perfect compliment to two of the album's tracks, " "a darker place" and "The Bottom :escape extinction".
My friend Supreet, I’ve known since high school. We went thru lots of times: the good, bad, and ugly. He’s someone I talk to often still after all of that and he’s also a poet/writer. He’s contributed some spoken word pieces to a handful of tracks. His contribution to “a darker place” is obscured but noted. “The bottom:escape extinction” came about organically and accidentally. I had changed the ending of the album after turning a corner/feeling better myself. We had recorded another version of that track well over a year ago, when I stumbled on it and it fit perfectly with the theme. We will continue to collaborate on future projects. Maybe he would even play the lead in the film version of the Melancholiac II.
Stream and Share “The Melancholiac II” on Spotify
Read our review of “The Melancholiac II” HERE
Connect with JSDavani: Spotify | Soundcloud
Review: "The Melancholiac II" by JSDavani
“The Melancholiac II” is an album to get completely lost in and surrender to, and JSDavani proves a skilled worldbuilder of weirdness.
Smeared surrealism soaked in acidic alliteration gives JSDavani’s “The Melancholiac II” a wonderful and wild approach. Entirely and utterly baffling, the songs defy easy categorization. JSDavani exists on the proper fringes, making things like genres hard to place. Yes, there is certainly a catchiness to the entire procession, but it is not the usual poppy demeanor. Everything here is far too complicated for pop. It layers, expanding the whole sound into the seemingly infinite. The word “experimental” has been coined for music like this, the kind that seemingly embodies a distinctive personality.
The reference points love the outsiders. The vocal treatment clearly nods to the early work of the Residents, as the art flair and general unclassifiable demeanor give it a distinctive charm. Further along, the dreamy scope sometimes captures the equally perplexing narratives of Connan Mockasin because there’s that same element of infectious hooks alongside some real out-there approaches, easily listening as a half-forgotten dream. Some of the melodies have a haunted beauty, drawing from the nostalgic hues of Leyland Kirby’s countless sorrowful projects. For all these touchstones, this remains a highly unique work that lives on the edges.
“Heartdrops” opens the album, setting the tone for what follows. The use of field recordings continues the blurred lines of composition, as is found in “Feeling is shared.” Sci-fi elements permeate James Ferraro - referencing “Wants/Needs: A war between.” Fractured rhythms get broken and stretched beyond the recognizable with “2wait4weight.” Layers give “_:00 AM” a sense of enormity, like there is no definitive beginning or end, with the synthesizers feeling like they could melt away at any moment.
Going for a subdued ethos are the broken beats and mournful moodiness of “The Melancholiac II.” Like a half-remembered dream is the bliss of “Falling asleep: Nodding off” with little melodic fragments bubbling through. Near-silence runs through the captivating “That warm place: Denial.” Vocals become impossible to place on the endless manipulation of “WAKING Up :the sky with laughter.” “The Bottom :escape extinction” remains hard to grasp, with the multi-faceted, multi-suite piece giving it a sense of eternity. Tying everything together is the industrial-edged “A Beginning/Ending :Rinse/Repeat.”
“The Melancholiac II” is an album to get completely lost in and surrender to, and JSDavani proves a skilled worldbuilder of weirdness. Listen to this album below.
Interview: Rich Vysion Discusses His Uplifting New Track "Save Me"
DCWS connected with Brooklyn based rapper Rich Vysion for an incredible interview to talk about his new single "Save Me", his transition from braggadocious to conscious, and much more.
Congratulations on the release of your new song "Save Me"; it's a very uplifting track. What initially inspired you to write the lyrics and how did you connect with its producer, Miranda Glory?
Thank you very much for your kind words. This song was written during the height of the 2020 global pandemic, a period marked by severe personal challenges, including deep depression and suicidal thoughts. At that time, I found myself revisiting past criticisms of my music and personal self, which exacerbated my mental health struggles. Rather than releasing these negative influences, I allowed them to weigh heavily on me, leading to a significant decline in my well-being.
In my search for relief, I tried various quick fixes such as motivational videos, affirmations, and journaling, but none provided the comfort I needed. I felt a profound sense of emptiness and struggled with self-worth. This period of intense emotional difficulty made me realize that external solutions were not the answer; instead, I discovered that the strength to overcome these challenges came from within myself.
I connected with the producer through a songwriting class I attended virtually.
Can we expect the "Save Me" song to be featured on an upcoming EP or album?
“Save Me” felt like a strong standalone single, but I'm definitely open to including it in a future project. If I come up with a theme or concept for an EP that fits its vibe or message, it could really enhance the whole project.
You've mentioned that you have not always been a conscious rap artist; what motivated you to switch up the style of music that you create?
I started out as a braggadocious rapper because I was emulating what I was listening to and what was being pushed in the media. I was chasing trends, especially when gangsta rap was popular, and I thought that being cocky would validate my music. But after getting tough criticism from friends, I realized I wasn’t being true to myself. It took a lot of self-reflection to understand that, at my core, I’m actually a sensitive and vulnerable person.
One day, I decided to just be myself because wearing a mask was making me depressed. It felt pointless to make music if I couldn’t be authentic. The cocky persona wasn’t resonating with me or with others, and I realized that to truly connect with people and embrace my authenticity, I had to be unapologetically myself. Now, my music is connecting on a deeper level and even making a positive impact on lives, which I’m grateful for.
Why is it important for you to create songs like "Save Me", "I Will Not Commit Suicide" and "I'm Meant For More", and who would you say is the ideal listener for music like it?
Making songs like "I Will Not Commit Suicide," "Save Me," and "I'm Meant for More" really matters to me because I know how tough it can be to struggle with self-worth—I’ve been there myself. Music has this amazing way of reaching people and making them feel understood. I want these songs to connect with others who might be going through similar feelings and let them know they’re not alone. It’s about sharing a message of hope and support, and hopefully making a difference for someone who needs it.
The ideal listener for these songs would be someone who is struggling with self-worth issues or dealing with depression. I hope that through the music, they can find a sense of understanding and comfort, and maybe even a bit of hope. These songs are meant to reach out to those who need it most and offer a reminder that they’re not alone in their struggles.
You're not just a talented artist, but an author as well. Tell us about your ebook "From Victim to Victor: Transforming Trauma Into Triumph".
Thank you for your kind words. This book dives into the struggles of mental health and the journey to discovering self-worth. I explore how many mental health issues often come from feeling low about oneself.
The title, "Victim to Victor: Transforming Trauma Into Triumph” is all about moving from feeling defeated in tough times to reclaiming my power and self-worth. It’s so important to open up to others and use the resources available for support. As someone who has faced suicidal thoughts, my goal is to connect with those going through similar struggles and highlight how crucial it is to recognize your own value and strength.
My own experiences with mental abuse drive me to help others find their own path to empowerment. Through self-discovery and embracing my potential, I hope this book inspires others to step into their purpose and become the best version of themselves.
With "Save Me" now released, what’s next for you musically?
My goal is to release a new single every month while also working on another EP. I’m excited to keep the music coming and create something that resonates with people, especially those who struggle with mental health. My desire is to offer support and connection to those going through tough times.
JSDavani Presents His Self-Produced Concept Album, "The Melancholiac II"
“The Melancholiac II" is the incredible newly released, self-produced concept album from multi-instrumentalist and multimedia artist Jacoby Davani aka JSDavani, and comprises 20 tracks, opening with “Heartdrops”, and closing with “A Beginning/Ending :Rinse/Repeat”.
“The Melancholiac II" is the incredible newly released, self-produced concept album from multi-instrumentalist and multimedia artist Jacoby Davani aka JSDavani, and comprises 20 tracks, opening with “Heartdrops”, and closing with “A Beginning/Ending :Rinse/Repeat”. The album’s title is a reference to Jacoby’s favorite Dean Blunt album, “The Narcissist II”.
Along with being a music creator and artist for over 20 years, Jacoby is a behavioral analyst (BCBA) who works with children on the Autism spectrum.
He has released 6 different experimental music projects in the last year, with over 5 hours of music between them; the latest being “RE:sender -> VOL1”.
If you’re a fan of experimentation and next level creativity, then you will love Jacoby’s album, “The Melancholiac II”. Listen to it below, and hang close to DCWS because our exclusive interview with him and review of the project are both coming soon.
Connect with JSDavani: Soundcloud | Spotify