Calling All Producers: Tips for taking your production to the next level Pt. 2
This is Part 2 of our series of tips for producers and how to turn their aiight' beats into DOPE instrumentals that any artist would want to buy. This series is written by our frequent collaborator Scotty Banx...
Aspiring to be the next legendary and transcendent producer like J Dilla, Pete Rock, Alchemist, Dr. Dre, DJ Premier, Kanye West, or NoID? We asked friend of the brand and frequent contributor Scotty Banx to share his tips for taking your production to the next level. This is Part 2 in this series; you can read Part 1 here.
Scotty Banx is a very DOPE producer, artist, and engineer from Baltimore, MD. In 2008, at 13 years old Scotty recorded his first mixtape after convincing his mother to let him go to the studio by leaving a few demo songs he recorded on an MP3 player up on his computer. By age 14, he was performing in night clubs around the city where he soon realized that rapping over other rappers beats won’t get you that far. “If you go to the show and you do a freestyle over the hottest beat out, there will always be at least one other artist over that same beat and you won’t stand out anymore.” says Scotty. However, in 2012, Scotty decided to take producing seriously after seeing his favorite rappers J.Cole and Big K.R.I.T produce their own projects by themselves.
“I think that's what did it for me. Seeing them have that creative freedom for their projects is beautiful. Making something for yourself is great because you know exactly what you want".
1. Getting Started (Drums first vs. Melody first)
There’s an ongoing debate among producers about whether you should start with the melody first or lay the drums down and then create the melody. The truth is, it doesn’t matter. When you’re having fun making your music, just have fun. There is no distinct formula that has to be followed each time. If you come up with a crazy drum beat before you come up with a melody, cool. If you come up with a crazy melody before you come up with a drum beat, cool. Run with it. It doesn’t matter how you start, just get started!
2. Use Layers
Ever wonder how or why you cant find a certain sound you hear in the beats to all your favorite songs? It might be two or three sounds layered together. Layering is having multiple sounds play the same exact melody. Sometimes they might be in different octaves, but they’re playing the same melody. This helps to add depth to the track. Sometimes when I produce, I make a layer out of three different sounds, pan one left, one right and keep one dead center. That way each sound stands out as it’s own more.
3. Use Effects
Sometimes the only thing you need to take your track to the next level is an effect on one of your instruments. One of my favorite things to do is add a low pass filter during the end of a verse section before the beat drops. You want to have a beat that leaves enough space for the artist to be able to work, but also have enough going on to keep the listener interested.
4. Alter Your Snare & Clap
As stated above, keeping the listener interested is important. One way to do this is to choose when to have a snare and when to have a clap. What I like to do is, during the first four bars of the verse, leave all drums out and only have the clap there. After that four bars, bring the kick and 808 in hard as hell and switch that clap for a nice crisp snare. That little change will set the mood for the track. It changes the energy and keeps the listener interested without being too dramatic.
5. Have A Memorable Tag
Having a tag is by no means necessary, but this is a nice way to easily set yourself apart from people. Your tag can be your name, or it can be a phrase (“If young Metro don't trust you..”) whatever it is needs to be something that will make listeners know that it’s you when they hear it. If you can’t make a cool one by yourself, get a girl or a little kid to say whatever you want them to say and run with it (“Jahlil beats, holla at me!”). It’ll be a fun process and the end result is always rewarding.
6. Sampling Is For Lovers, Not Businessmen
Nothing screams “Hip-Hop” more than a sampled beat. You find a dope sample from some unknown 60’s group, flip it and hopefully Nas picks it up, right? That would be so dope, but what wouldn’t be dope is dealing with getting that sample cleared and potentially losing more money than you make just from paying for that clearance. I won’t get too deep into sampling in this post, but understand the legalities that go with that before you decide to spend hours chopping and flipping. Sampling is dope, but don’t expect money from that.
7. Make Your Own Samples
What I like to do is take a few hours on a Sunday and just make beats I could hear Luther Vandross on. I keep the tempo around 40 - 80 BPM and just let the vibes come to me. I never add drums because thats the worst thing to deal with when flipping a sample. Once the beats are done, I render them, bring them into another session and flip them just like you would any other sample. This way the beat has the same feel I'm looking for, but I have no clearance to worry about. One less headache for me!
8. Fear The Eight Bar Loops
When producing, the worst thing you can do is have a generic ass eight bar loop that never switches up. Even if the beat is fire, you need some flavor in it. Find a way to make things switch up. This is what took Kanye’s production to the next level. His mentor told him to do more than just an eight bar loop and the music industry has never been the same since.
9. Fake It Til You Make It
If you’re like me and you can’t really play piano as well as you’d like to, you have to find a way to make your piano sections sound believable. Once you do your musical typing or placement in the piano roll or whatever you like to use, all the keys will most likely be played at the same velocity. That’s not how a piano is really played and it’s your job to replicate the real sound. So take time and go through to adjust velocities in the piano section. This of course only matters for songs that require a piano to sound “real”, a trap beat doesn’t necessarily need that.
10. HAVE AN EXTERNAL HARD DRIVE
I first started making beats on one of those little $250 netbook laptops you get from target. I thought it would last forever since I was only using it to make beats. I wasn't downloading anything on it or going on the internet either, thinking that would stop viruses from getting onto my laptop. Little did I know, the laptop wasn't made to store as many files as I had on there. Now, whether you have a little netbook, or a desktop it doesn't matter. You need to back all your files up in three places. I learned this the hard way when my netbook overheated and never turned back on after me doing two years worth of music on it. Take it from me, save every time you make a change, get an external hard drive and back up ALL your files, it’s well worth the investment.
Calling All Producers: Tips for taking your production to the next level
Aspiring to be the next legendary and transcendent producer like J Dilla, Pete Rock, Alchemist, Dr. Dre, DJ Premier, Kanye West, or NoID? We asked friend of the brand and frequent contributor Scotty Banx to share his tips for taking your...
Aspiring to be the next legendary and transcendent producer like J Dilla, Pete Rock, Alchemist, Dr. Dre, DJ Premier, Kanye West, or NoID? We asked friend of the brand and frequent contributor Scotty Banx to share his tips for taking your production to the next level.
Scotty Banx is a very DOPE producer, artist, and engineer from Baltimore, MD. In 2008, at 13 years old Scotty recorded his first mixtape after convincing his mother to let him go to the studio by leaving a few demo songs he recorded on an MP3 player up on his computer. By age 14, he was performing in night clubs around the city where he soon realized that rapping over other rappers beats won’t get you that far. “If you go to the show and you do a freestyle over the hottest beat out, there will always be at least one other artist over that same beat and you won’t stand out anymore.” says Scotty. However, in 2012, Scotty decided to take producing seriously after seeing his favorite rappers J.Cole and Big K.R.I.T produce their own projects by themselves.
“I think that's what did it for me. Seeing them have that creative freedom for their projects is beautiful. Making something for yourself is great because you know exactly what you want".
1. Pick your DAW
It doesn’t matter what DAW you use. They’re all capable of the same thing, the only difference is the work flow. Think of your DAW as a kitchen. You can make a sandwich in your kitchen easily because you know where everything is, but if you come to my kitchen you might need a little help finding where certain ingredients are. Nevertheless, it’s still the same sandwich in the end. Find what works for you and stick with it, but don’t be afraid to experiment with other DAWs once you get comfortable with one.
2. Learn As Much As Possible
If this was 1983 and you said that you wanted to get into music, but couldn't find anybody to teach you, you’d have a valid excuse. Fortunately for you, it’s not 1983 and we live in a time where information is more abundant than ever. Utilize YouTube as much as you can; there are literally thousands of video tutorials on producing and understanding the work flow in whatever DAW you’re using. Don’t ever feel like you know everything there is to know; there’s always some thirteen year old kid that knows one little trick you probably would’ve never thought of that will take your sound to the next level.
3. Find Collaborators
This is one of the easiest ways to learn. Find people you really want to work with and get in the lab with them. Don’t be a creep and have a notepad and jot down their every move, but if you pick up on something you like, try it out. When you’re beginning to find your own sound you’ll notice that you initially sound like a mix of everybody you work with and everybody you’re influenced by. It’s fine, give yourself time to grow.
4. Listen To Music
It seems like common sense, but I can’t tell you how many times I’ve been frustrated in the studio after trying to make something I liked but couldn’t. I realized the problem was I wasn’t listening to the type of music I wanted to make before i got in the studio. Of course, we all want to say “I want to make something no one’s ever heard before” but everything is inspired by something that came before it, so that’s bullshit. Listen to some music to get your creative juices flowing, listen to a specific genre if thats what you’re going for, or even a specific artist.
5. Study The Music You Listen To
The same way you have to study things you don’t really care about in school, you have to study the things you do care about in real life. Listen to each song and really analyze what’s going on in it. If you have the time, write it down. Make a note of every change and what time it occurs. If a brass section comes in around 45 seconds, write it down. Pay attention to how things are mixed, how things are panned, what you like and what you don’t like. Then apply these things to your own music and you’ll begin to see improvement.
6. Use A Reference Mix
Never get caught up in “if I like it, that’s all that matters”; it’s a lie. If you’re making music solely for your own enjoyment and no one else’s, that’s fine. However, chances are you’re making music with the hopes of starting a career. How can you do that if your music doesn’t compete with what’s already on the market? When you’re mixing, find a track that’s similar to yours, or has similar characteristics you’d like to emphasize in your mix (ex: Bass) and mix until your track sounds just as good. Even if you only have a laptop, it’s possible.
7. The Gear Doesn’t Matter
Don’t be discouraged by the people you see in million dollar studios making hit records with all the fancy gear. It’s cool to have a lot of toys, but what’s cooler is knowing how to achieve that same quality with less than half of that. It wont happen overnight, but with hard work and persistence you’ll see that it’s possible. So in reality, all you need is a laptop, an interface and headphones to start producing. Thank God for technology, right?
8. Study Music Theory
One thing a lot of laptop musicians (myself included) neglect is actually learning theory. Instead, we like to just go in and press keys until something magic happens and we make a track we like. While that’s a fun process, what do you do in your career when you’re in the studio with Rihanna and she tells you a specific feel she's going for and you can’t deliver? Yes, it’s easy to make trap beats. There are a trillion trap producers though, what makes you different? Learn theory and doors will open effortlessly. I’m still learning myself, don't feel bad.
9. Trust The Process
Making music as a hobby is fun. it’s a great way to kill time and express yourself. However, getting into the music business is a different ball game. Understand that no matter what, you should ALWAYS put the MUSIC first. There will be times when you feel like people are doing better than you. It’s okay. Your time will come, until then, keep networking and perfecting your craft. Never give up, it’s all a part of the process. Give it time. If you’re really putting in work, the results will show.
10. Have Fun!
Always have fun in sessions no matter what! Bottom line. I don’t care if you’re working on music for the pope. Part of being creative is having fun and letting ideas flow. Surround yourself with people that bring nothing but good vibes and just create music you love. The minute you find yourself feeling burned out in a session, simply take a break, go for a walk, watch a movie, take a nap or anything else you can do to let your mind rest for a while. Once you’re feeling inspired, come back to it. If it’s not fun, it’s not meant to be.
BLOG: How to Setup Your Home Studio on a Budget (Ten Steps)
In this post, Scotty Banx gives artists advice on how to setup a home studio without breaking the bank. Click here to read the full post.