Interview: Rich Vysion Discusses His Uplifting New Track "Save Me"
DCWS connected with Brooklyn based rapper Rich Vysion for an incredible interview to talk about his new single "Save Me", his transition from braggadocious to conscious, and much more.
“I hope that through the music, they can find a sense of understanding and comfort, and maybe even a bit of hope”
Congratulations on the release of your new song "Save Me"; it's a very uplifting track. What initially inspired you to write the lyrics and how did you connect with its producer, Miranda Glory?
Thank you very much for your kind words. This song was written during the height of the 2020 global pandemic, a period marked by severe personal challenges, including deep depression and suicidal thoughts. At that time, I found myself revisiting past criticisms of my music and personal self, which exacerbated my mental health struggles. Rather than releasing these negative influences, I allowed them to weigh heavily on me, leading to a significant decline in my well-being.
In my search for relief, I tried various quick fixes such as motivational videos, affirmations, and journaling, but none provided the comfort I needed. I felt a profound sense of emptiness and struggled with self-worth. This period of intense emotional difficulty made me realize that external solutions were not the answer; instead, I discovered that the strength to overcome these challenges came from within myself.
I connected with the producer through a songwriting class I attended virtually.
Can we expect the "Save Me" song to be featured on an upcoming EP or album?
“Save Me” felt like a strong standalone single, but I'm definitely open to including it in a future project. If I come up with a theme or concept for an EP that fits its vibe or message, it could really enhance the whole project.
You've mentioned that you have not always been a conscious rap artist; what motivated you to switch up the style of music that you create?
I started out as a braggadocious rapper because I was emulating what I was listening to and what was being pushed in the media. I was chasing trends, especially when gangsta rap was popular, and I thought that being cocky would validate my music. But after getting tough criticism from friends, I realized I wasn’t being true to myself. It took a lot of self-reflection to understand that, at my core, I’m actually a sensitive and vulnerable person.
One day, I decided to just be myself because wearing a mask was making me depressed. It felt pointless to make music if I couldn’t be authentic. The cocky persona wasn’t resonating with me or with others, and I realized that to truly connect with people and embrace my authenticity, I had to be unapologetically myself. Now, my music is connecting on a deeper level and even making a positive impact on lives, which I’m grateful for.
Why is it important for you to create songs like "Save Me", "I Will Not Commit Suicide" and "I'm Meant For More", and who would you say is the ideal listener for music like it?
Making songs like "I Will Not Commit Suicide," "Save Me," and "I'm Meant for More" really matters to me because I know how tough it can be to struggle with self-worth—I’ve been there myself. Music has this amazing way of reaching people and making them feel understood. I want these songs to connect with others who might be going through similar feelings and let them know they’re not alone. It’s about sharing a message of hope and support, and hopefully making a difference for someone who needs it.
The ideal listener for these songs would be someone who is struggling with self-worth issues or dealing with depression. I hope that through the music, they can find a sense of understanding and comfort, and maybe even a bit of hope. These songs are meant to reach out to those who need it most and offer a reminder that they’re not alone in their struggles.
You're not just a talented artist, but an author as well. Tell us about your ebook "From Victim to Victor: Transforming Trauma Into Triumph".
Thank you for your kind words. This book dives into the struggles of mental health and the journey to discovering self-worth. I explore how many mental health issues often come from feeling low about oneself.
The title, "Victim to Victor: Transforming Trauma Into Triumph” is all about moving from feeling defeated in tough times to reclaiming my power and self-worth. It’s so important to open up to others and use the resources available for support. As someone who has faced suicidal thoughts, my goal is to connect with those going through similar struggles and highlight how crucial it is to recognize your own value and strength.
My own experiences with mental abuse drive me to help others find their own path to empowerment. Through self-discovery and embracing my potential, I hope this book inspires others to step into their purpose and become the best version of themselves.
With "Save Me" now released, what’s next for you musically?
My goal is to release a new single every month while also working on another EP. I’m excited to keep the music coming and create something that resonates with people, especially those who struggle with mental health. My desire is to offer support and connection to those going through tough times.
JSDavani Presents His Self-Produced Concept Album, "The Melancholiac II"
“The Melancholiac II" is the incredible newly released, self-produced concept album from multi-instrumentalist and multimedia artist Jacoby Davani aka JSDavani, and comprises 20 tracks, opening with “Heartdrops”, and closing with “A Beginning/Ending :Rinse/Repeat”.
“The Melancholiac II" is the incredible newly released, self-produced concept album from multi-instrumentalist and multimedia artist Jacoby Davani aka JSDavani, and comprises 20 tracks, opening with “Heartdrops”, and closing with “A Beginning/Ending :Rinse/Repeat”. The album’s title is a reference to Jacoby’s favorite Dean Blunt album, “The Narcissist II”.
Along with being a music creator and artist for over 20 years, Jacoby is a behavioral analyst (BCBA) who works with children on the Autism spectrum.
He has released 6 different experimental music projects in the last year, with over 5 hours of music between them; the latest being “RE:sender -> VOL1”.
If you’re a fan of experimentation and next level creativity, then you will love Jacoby’s album, “The Melancholiac II”. Listen to it below, and hang close to DCWS because our exclusive interview with him and review of the project are both coming soon.
Connect with JSDavani: Soundcloud | Spotify
Interview: møhx Talks About His Konn-Produced New Single "I'm Sorry, You Know"
Dopecausewesaid connected with møhx for an in-depth Q&A to find out the inspiration behind his Konn-produced new song "I'm Sorry, You Know" and much more. Check out our interview with this talented artist and producer now.
“It’s a good feeling when someone believes in you, even if it’s your built in fan...”
Congratulations on the release of your new song "I'm Sorry, You Know"; describe your creative process for its development and how you initially connected with its producer, Konn.
Thank you! This song was honestly so easy and flew out of me pretty quickly. I started this song late at night when I was just feeling a rush of emotions and I was by my piano. I remember recording a whole voice memo of the song as a ballad and sent it to my mom the next morning. She told me that it was a really special song and for some reason that sentiment stayed with me throughout the whole process.
It’s a good feeling when someone believes in you, even if it’s your built in fan. I made a demo for the song that was almost in the rock genre but felt like it was missing something. So I sent it to my friend Adrian, who produced my song butterflies with me, and he recommended me over to Konn. Within a few days, Konn had an idea for the drop that essentially changed the whole feeling behind the song in the best way possible. From there it was just back and forth versions and adding on little details until we felt like the song was perfect.
What does your stage name "møhx" represent?
I never really know how to answer this question because there was no logic behind this decision. I remember being in the back of an auditorium after my concert band performed awfully at one of our middle school concerts.
I was on my phone searching up cool things to do with my name and there was a very rough translation of my name in Mongolian that I think was close to the word mohx and I guess I wanted to be edgy or something so I added the ø to it.
Tell us about some of the artists and/or producers that sparked your interest in music creation, and did you have a favorite song or genre to listen to growing up?
I think I have an unhealthy obsession with Chelsea Cutler’s music. Raw honesty in songwriting is something that I strive for and I think that’s such a cool thing that she’s able to emulate with every song.
Aside from that, I grew up listening to Bollywood music so I try to draw inspiration from that in any capacity I can.
How would you say that you have grown artistically since you released your debut EP "glimpses" in 2021?
“Glimpses” was such a special project to me because I spent so much time on it. It was a project that I produced and wrote nearly every song. I remember going over every detail and trying to connect every song to last.
One of my favorite songs on that project is called “Paper Planes” which was such a fun and weird song to make. It didn’t follow the same four measure-four chord format that a lot of my songs did so it felt like I was pushing my boundaries in making music that I thought just sounded good.
But since then, I have been collaborating with a bunch of producers and mixing engineers that have been pushing me to make music that I have always wanted to make. I think that it’s helped making the music a lot more rewarding.
What do you think has been your biggest musical accomplishment since you started making songs in your bedroom at the age of 14?
Signing to Chapter Eight was such a cool experience and that led “imyt” to be my best performing song which was cool. But I think, internally, putting out my song, “The Longing”, has been one of my biggest music accomplishments thus far. That song felt like my rawest vocal performance.
My best friend, Mayzie, has always told me to put out the songs that I wasn’t confident in but with that one, we both kind of agreed. That was a validation that was so satisfying and it felt like a sign that the song was really something special.
Can we expect a music video for "I'm Sorry, You Know"? If not, do you have another song ready to be unveiled next?
I don’t think I’ll be doing a music video for this song because I feel like the visualization for it is really unique to the listener. But I do have another song coming out soon-ish that I think is the best of my artistry.
I have always wanted to dive into the feelings of nostalgia because it’s something that I have carried with me for so long moving around so much in my childhood. That’s something I’m really excited to explore with my music moving forward.
Legendary Hip-Hop Producer Diamond D Releases "The Diam Piece 3: INITIUM”
Diggin’ In The Crates Crew co-founding member Diamond D shares “INITIUM”, the first of three parts to “The Diam Piece 3”, which will serve as the final installment in his production compilation series.
Grammy-winning Hip-Hop legend Diamond D released “The Diam Piece” album in 2014, followed by the project's sequel, “The Diam Piece 2”, in 2019. Now, the Diggin’ In The Crates Crew co-founding member shares “INITIUM”, the first of three parts to “The Diam Piece 3”, which will serve as the final installment in Diamond D's production compilation series.
With star-studded guest features such as Fatman Scoop, Skyzoo, RJ Payne, 38 Spesh, and more, “INITIUM” will be followed by Duo and Tria to complete The Diam Piece 3 over the course of the next 12 months.
"I would never release an album with 28 songs in this age of short attention spans. With that being said, I'll be releasing he 'Diam Piece III' album in three separate parts over a 12 month timespan: 'INITIUM', 'Duo' & 'Tria'. This will give each release a chance to breathe on its own and to be appreciated. The Diam Piece 3 album will complete the trinity for my production series. It was an honor to work with all the talented spitters on the new album. If you're familiar with both Diam Piece parts 1 and 2 then you already know what to expect: hard hitting tracks and dope lyricism. I stand on that." - Diamond D
“The Diam Piece 3: INITIUM” arrives on all major digital streaming platforms via Dymond Mine Records/EMPIRE just a month short of the 32nd anniversary of Diamond D's 1992 classic debut “Stunts, Blunts and Hip Hop”.
Stream/Share “The Diam Piece 3: INITIUM”
“The Diam Piece 3: INITIUM” can be purchased on vinyl via Fatbeats here.
Hip-Hop Legends Smif-N-Wessun Announce “Still Shinin’ Tour”
Just ahead of the 30th anniversary of their critically acclaimed debut album, "Dah Shinin’", legendary rap Duo Smif-N-Wessun announce the launch of “Still Shinin’,” a tour that takes them from Brooklyn to Borlänge, Sweden.
Just ahead of the 30th anniversary of their critically acclaimed debut album, “Dah Shinin’”, Smif-N-Wessun announce the launch of “Still Shinin’,” a tour that takes them from Brooklyn to Borlänge, Sweden.
The duo, composed of Tek and General Steele, first appeared on Black Moon’s album, “Enta Da Stage”, and they’ve been consciously commanding the stage ever since. Within a year, they were on a remix of May J. Blige’s "I Love You" from her chart-topping sophomore release, “My Life”, then released their own album reaching the Top 5 of Billboard’s R&B/Hip Hop chart!
Featuring production from Da Beatminerz, cover art inspired by Roy Ayers, and the debut of the Boot Camp Clik super group, “Dah Shinin’” would eventually be named one of The Source magazine’s 100 Best Rap albums and yielded such classics as “Bucktown,” “Let’s Git It On,” “Wontime,” “Wrekonize,” “Sound Bwoy Bureill,” and “Stand Strong.”
It wasn’t all smooth –– jazz funk and riddims –– for the Bucktown pair, however. After a cease and desist from gun company, Smith & Wesson, Tek and Steele temporarily released under the moniker Cocoa Brovaz with 1998’s “The Rude Awakening”, but the culture never let Smif-N-Wessun fade. In 2005, they released “Smif-N-Wessun: Reloaded” and “Smif-N-Wessun: The Album”.
In the following years, they delivered concentrated works with two more of hip hop’s most respected producers, Pete Rock for “Monumental” (2011), and 9th Wonder and his Soul Council for “The All” (2019), spawning collabs ranging from Styles P, to Bun B, Musiq Soulchild and Rick Ross.
In 2013, they pushed boundaries and the West Indian undertones laced throughout their music won diaspora-spanning respect and their first EP, “Born And Raised”, featuring reggae favorites, Jahdan Blakkamore, Junior Kelly and Junior Reid. It was entirely produced by Beatnick & K-Salaam. In 2018, a European tour showcased their stockpile of anthems and energetic flow with Champion Sound (Live From Prague).
Perhaps most known for their Timberlands and hook, “I shine, you shine, shine,” Smif-N-Wessun’s overall M.O. has acquired them a catalog and audience as loyal to them as they are to hip hop.
“When we on tour, we see generations that come to our shows,” says Tek. “At some shows, we have kids that are 9, 11, 13 years old with their dads, and their dads had their dad, and they all rocking, and they know the words too.”
For them –– and fans –– it still feels like 30 years ago. Coming off the 50th anniversary of hip hop and music industry-wide shake ups from lawsuits to rap beef, we can look forward to seeing Smif-N-Wessun enter the stage once again with some “super friends” for this “Still Shinin’ Tour.” “It’s hip hop, it’s going to be exciting,” says Steele. “I don’t want to say, ‘throwback’ but it’s going to have a feeling of just coming to a show and having fun.”
Smif-N-Wessun is also back in the studio for their eighth studio album, “INFINITY”, but no word yet on what to expect other than P.N.C.-type vibes. “When you hear the new lyrics on the next project you’ll see,” Steele continues. “We’ve been smashed in the media, we’ve been blacklisted in NYC, we’ve been underdogs and under-voted, outvoted, outcast, thought of last, shot at, took stabs at, shut doors on and we still look forward. That’s how you keep shinin’.”
Australian Pop Trio Sheppard Announce Their US Headline Tour
Australian pop superstars, Sheppard, announce another US headline tour following the release of their highly anticipated new studio album “ZORA”…
Australian pop superstars, Sheppard, announce another US headline tour following the release of their highly anticipated new studio album ZORA and their sold-out June Northeast headline trek that culminated with a Central Park SummerStage performance as part of this year's Aussie BBQ.
The new LP is the sibling band’s fourth full-length and debuted at #1 on the ARIA Australian Album Charts and #8 on the ARIA Overall Album Charts alongside Gracie Abrams, Taylor Swift, Charli XCX, Morgan Wallen, The Weeknd, Chappell Roan, Luke Combs, and Olivia Rodrigo. In addition, Sheppard was also the ONLY Australian act in the Top 40. The success of ZORA comes as the band celebrate the ten-year anniversary of their global mega-hit “Geronimo,” which has gone viral once again.
George, Amy, and Emma Sheppard relocated from Brisbane, Australia to Nashville in 2023 driven by the ambition to connect and engage more deeply with their US and Canadian fans. Their June tour took them to Boston, Washington DC, Philadelphia, and New York for warm-up shows ahead of the release of ZORA and saw them playing to sold-out enthusiastic crowds every night, that led to the addition of this second run of dates.
“We knew fans had been wanting live shows,” the sibling trio said, “but the response and the love that fans showed us across these shows took our breath away.” The extension to the Say Geronimo! tour continues the celebration of “Geronimo,” which has now surpassed the 1 BILLION stream mark, and gives the band a chance to share their new album live with fans across the US.
As one of Brisbane’s most successful bands of all time, Sheppard are enjoying a renaissance with recent singles lighting up charts on five continents while a new generation on social media discover the hits that have seen the sibling trio become certified 36x Platinum across 19 countries and cross 2 billion streams worldwide. ZORA is the first studio album for the band since 2021’s Kaleidoscope Eyes (ARIA #2), 2018’s Watching the Sky (ARIA #1) and their debut LP in 2014, Bombs Away (ARIA #2). Preceded by the singles “Good Time,” “Daylight,” “Dance on the Sun,” and “Edge of the Earth,” ZORA contains 16 tracks that explore themes of resilience, hope, despair, and strength, all underpinned by Sheppard’s trademark brand of anthemic pop designed to be turned up loud.
"The album revolves around the rejuvenating nature of light and that no matter how dark life at times can feel, a new sunrise is just around the corner. Throughout any family ordeal or crisis (which no doubt every family goes through), we constantly look up to our Croatian Baba (grandma) whose name is Zora.” – George Sheppard
Confirmed US headline tour dates are below, catch them on July 13th with Niko Moon at Sonoma State University in Rohnert Park, CA - details HERE, and for the most up-to-date information, please visit wearesheppard.com.
Lupe Fiasco Releases His Latest Album "Samurai" and New Music Video for "No.1 Headband"
Lupe Fiasco unveils his latest album “Samurai”, a smooth, yet cerebral, 8-track album brimming with ideas, that radiates his pure love for the art of emceeing and committing himself as a servant of the rap game.
With over two decades of tenure in the rap game, Lupe Fiasco is a savvy veteran of hip-hop, but that doesn't mean he doesn't take the time to hone and perfect his craft at every turn. Now, the Chicago MC unveils his latest album “Samurai”, a smooth, yet cerebral, 8-track album brimming with ideas, that radiates Lupe's pure love for the art of emceeing and committing himself as a servant of the rap game.
'The word 'samurai' means to serve,' Lupe says on the album's title. 'My relationship to that word has always meant that you need to be at the service of other people, either in the overall community, or in this instance, the rap community at large that I’ve been a part of for years.'
“Samurai”, Lupe's ninth studio album, is produced in full by Soundtrakk, making it their second full album collaboration following 2022's DRILL MUSIC IN ZION, and the first album that Lupe and Soundtrakk worked on with their longtime manager, and 1st & 15th co-CEO Charles 'Chill' Patton, since 2007's “The Cool”. Patton also serves as executive producer on the album. It's home to recent singles such as the title track, 'Samurai,' praised by Rolling Stone, HYPEBEAST, Clash and Complex plus the lyrical beatdown, 'Cake,' which shows off Lupe's supreme ability to attack the beat with poetic and energetic bars.
Lupe's ninth full-length to date opens with aforementioned title track, 'Samurai' and is a loose and soulful record that gently lopes along with a prominent drumbeat and a lilting soprano sax lick, as Lupe dons his battle rap persona, attempting to draw a crowd with his poetic devices. While the chorus imitates a busker or carnival barker's call for attention, the verses dig deeper. The first verse analyzes the awkward relationship between hip-hop culture and high culture. The second verse tells the story of a struggling artist, contrasting her glamorous dreams with her gritty reality, but brimming with her unbroken spirit.
Lupe takes the listener on an introspective journey but also utilizes different eras of hip hop to tell the stories that lay within each individual track. From experimental melodies infused within hip hop beats that carry '90s twang like 'Mumble Rap', or paired down, sentimental percussions and keys as found in 'Palaces,' and the orchestral, street freestyle-esque 'No. 1 Headband,' Lupe weaves the many faces of hip hop, along with the many lives he has lived within the industry, into the narrative of his project.
On “Samurai”, Lupe retreats inward to deliver fans one of his most personal albums to date. 'I sometimes get tagged by my fans as not doing personal records,' Lupe says, 'but I always tell people there's me in there if you listen closely enough. This album is one of my more personal records to date. It's not a full biography, but my personal experiences are tied up in all of my music. A lot of the records are me. Some are from the POV of a character. and some are me. The album weaves things from my life as an artist, touching on things other artists go through.'
“Samurai” is Lupe's first new album since 2022's DRILL MUSIC IN ZION, which earned critical acclaim from NPR, Complex, The FADER, and many others, including Vinyl Me Please, who wrote 'At their best, Lupe's bars are as visually and phonetically pleasing as popped bubble wrap.' The product of a burst of thoughtful spontaneity, Lupe created DRILL MUSIC IN ZION over a short period, diving into a folder of beats sent by Soundtrakk and emerging with a fully-realized album in just three days.
In 2023, Lupe kept busy by releasing tracks like 'Wild Child (Remix),' a new version of his 2017 track created in collaboration with Chicago house luminary Vince Lawrence, and 'Out There,' an archival track from the 1st & 15th vault.
The iconic Chicago native also settled into his position as a professor at the Massachusetts Institute of Technology, where he teaches 'Rap Theory and Practice.' Beyond music, Lupe continues to focus on the community organizations he founded, including We Are M.U.R.A.L, The Neighborhood Start-Up Fund, Society of Spoken Art, and his cross-cultural content venture, Studio SV.
Listen to the DOPE “Samurai” album below, stream it on your preferred music service and connect with Lupe on his social media.
Interview: Odd One Out Talks About Her Newly Released Third EP, "Alone"
We connected with Manchester, UK based singer-songwriter Odd One Out for an exclusive interview to discuss her brand new EP entitled “Alone”, and much more.
“Whenever there’s a group of people, I’m usually the one that doesn’t fit in. But I always found comfort in music...”
What does the name "Odd One Out" represent to you as an artist?
Throughout my whole life, I have always felt like the odd one out. At home, at school, everywhere. Whenever there's a group of people, I'm usually the one that doesn't fit in. But I always found comfort in music, and being a fan of bands and going to gigs, I finally felt like I belonged. This is why music has become such a big part of my life.
This is one of the reasons I called myself Odd One Out, another reason is that in the music industry, you have to stand out, so it's good to go against the grain and not conform or be a sheep. It's a double entendre I suppose.
Congratulations on the completion and release of your new EP, entitled "Alone"; tell us about your creative process for the development of the five songs, especially the one in Korean.
Thank you very much! I have thousands of notes on my phone, most of them are poems or just sentences which I put into my phone when I feel the need to. When I begin a new EP, I think of what I want the theme to be, then I will search for that word in my notes and gather all of the notes that mention the theme.
For the EP 'Alone' I had about 14 notes to begin with and whittled them down to 5 songs which represent the different ways someone can feel alone. Alone in the way they think, alone physically, alone because nobody seems to want them, but the ending song "Always With You" repeats "I am not alone." This conclusion to the EP emphasises that nobody is ever truly alone.
The Korean song 여기서 밤새 (Here All Night) was originally written in English and is about how I spend most nights alone, staring at the clock and waiting for it to be morning again. I have been learning Korean since I became a fan of the K-Pop band BTS in 2020. So I translated the song into Korean and moved a few bits around so it rhymed when sung in Korean. I am really proud of this one.
Your music has been described as "Spectral Pop"; what does that mean?
When my music was first described as this I actually didn't know what it meant myself! When I searched what the word "Spectral" means I found out it meant "spooky" and "ethereal". My friends have said that my music has a unique sound to it, so I guess that unique sound is a scary ethereal one.
How would you say that the "Alone" EP differs from your prior two EPs, "Eyes", and "Dreams"?
I think (and hope) that my production skills have improved significantly since my first EP "Eyes". Practice makes perfect and whilst making each EP I have learned thousands of things that I didn't know before.
I have also become a lot more confident with my own singing voice, whereas in the previous EP's I tried to hide behind effects a lot.
With "Alone" now released, what are some of your goals musically for the rest of 2024?
I really want to put myself out there more. I am a very reserved person, so the thought of doing a gig terrifies me, but also I really want to perform in front of people. So hopefully by the end of this year, I will have come out of my shell and performed in front of people for the first time.
Stream and Share “Alone” on: Spotify | Bandcamp | Soundcloud
Manchester, UK Singer-Songwriter Odd One Out Releases Her New EP "Alone"
Dynamic Manchester, UK based singer-songwriter Odd One Out has just dropped her third EP entitled “Alone”, featuring five tracks. Listen to this great new release now.
Courtney Pilling aka Odd One Out is a dynamic singer-songwriter based in Manchester, UK who brings a unique voice to the indie music scene. Inspired by the band Twenty One Pilots, she began her musical journey with a modest ukulele, a gift from her mum.
Since then, Odd One Out has been expressing her thoughts and feelings through songs, initially recorded in single takes using the microphone on her earphones. Now, at 23 years old, she creates music with a more professional setup.
The name 'Odd One Out' reflects Courtney's experiences of often feeling out of place. Through music, however, she discovered a sense of belonging.
Odd One Out’s music, characterised by its hauntingly beautiful melodies and introspective lyrics, has been described as "Spectral Pop" by many people, including radio host Graham Duff.
She’s just released her third EP entitled “Alone”, which is composed of five tracks. Speaking about the project, Odd One Out says, “This EP titled 'Alone' is about the perspectives of different people who are alone. Alone in the way they think, alone physically, alone because nobody seems to want them, but the ending song repeats "I am not alone." This conclusion to the EP emphasises that nobody is ever truly alone.”
Listen to “Alone” right now, connect with Odd One Out on social media, and be on the lookout for our exclusive interview with her coming soon.
Alt Punk-Rap Duo Joey Valence and Brae Release Their Sophomore Album "NO HANDS"
Fast-rising, viral alt punk-rap duo Joey Valence & Brae have released their highly anticipated sophomore album, “NO HANDS”. The boys have also announced a massive, US/EU fall tour in support of the album that kicks off September 9 in Dallas.
Fast-rising, viral alt punk-rap duo Joey Valence & Brae have released their highly anticipated sophomore album, “NO HANDS”. The self-written, self-produced, self-mixed and mastered collection takes the propulsive energy of their critically acclaimed debut, PUNK TACTICS, and goes harder, but also offers more range; housing their most impressive work to date and featuring guest appearances by Danny Brown, Terror Reid and Z-Trip, signifying a huge progression as they skillfully traverse a smash and grab collision of 90s hip-hop, drum ‘n’ bass and decades-spanning pop culture references while remaining undeniably themselves throughout.
The boys have also announced a massive, US/EU fall tour in support of the album that kicks off September 9 in Dallas. They’ll bring their insane live show to major cities around the world including Austin, Chicago, Washington DC, Boston, New York City, Toronto, Los Angeles, Stockholm, Milan, Paris, Berlin, London and more. Playing live is where Joey Valence & Brae truly excel, and their performances are a high-octane blur of pinwheeling arms and legs and adrenaline-fueled chaos with maximum crowd participation. Pre-sales begin with JVB’s artist pre-sale on Tuesday, June 11 ahead of the general on-sale beginning Friday, June 14 at 10 a.m. local time. Please visit www.jvbsucks.com for more info.
“NO HANDS” is classic JVB: raw, wily, full of braggadocio and peppered with their eclectic blend of interests — Star Wars, Super Mario, Putt Putt Golf, Olivia Rodrigo, Top Golf, Shirley Temples, Smucker’s Uncrustables, legendary UK chicken shop chain Nando’s and so much more. Opening track “BUSSIT,” with its distorted, bassy-synth, in-your-face, brain-rattling beats, and an unexpected jungle break, absolutely sets the tone. While lead single “THE BADDEST,” a body-quaking Miami bass banger, part Fatman Scoop, part LMFAO, is destined to be a riot-inducing live favorite. Elsewhere, early singles “JOHN CENA” and “WHERE U FROM” are full of swaggy braggadocio, simultaneously poking fun at those who think they’re all that. The latter is a mash-up of house synths and loose-limbed beats while tipping a cap to Brockhampton.
The record also includes stand out collaborations with Terror Reid on “DOUGHBOY,” and the just-released Danny Brown collab “PACKAPUNCH” (JVB slid into his DMs only to find out the Detroit rapper was already a fan). With its jazzy hook and scratching from pioneering DJ Z-Trip, the LP’s title track is also key.
“‘NO HANDS’ is driving home the point that we do this on our own, and that we're confident about it,” said Joey. “Like, ‘Look Ma, no hands.’ It also doubles for having no hands working on this project other than us in terms of the creative. This album is us doubling down: we bet on ourselves and it worked. [and] we're still having the best time of our lives.”
The album closes with “OMNITRIX,” a triumphant cut featuring sampled strings and soul vocals, the title a nod to the cartoon Ben 10. Joey calls it “a victory lap for the whole album,” and its more measured cadence showcases a new dimension to the brash, punk-rap stylings that have defined the duo since they popped off at the tail end of 2021. Music aside, what has really cemented their success is their humor, energy and attitude: they’re both down to clown, looking to entertain each other, and anyone around them. This spirit is the bedrock of their output as Joey Valence & Brae, and a cornerstone of their appeal.
Check out the “NO HANDS” album right now, and connect with Joey Valence and Brae on their website and social media.
Anderson .Paak aka DJ Pee .Wee to Headline Rosé Day Los Angeles on June 8th
Rosé Day Los Angeles is back for its 4th year, returning to its rightful date on National Rosé Day, on June 8, 2024, at King Gillette Ranch in Calabasas, CA.
Rosé Day Los Angeles is back for its 4th year, returning to its rightful date on National Rosé Day, on June 8, 2024, at King Gillette Ranch in Calabasas, CA.
LA’s most sophisticated summer soirée will welcome 4,000 guests and treat them to 7+ hours of perfect pours from over 15 ultra-premium brands, including Perrier-Jouët, Sainte Marguerite en Provence, G.H. Mumm, Tequila Don Julio and Suntory Global Spirits RTDs. Throughout the day, attendees will also enjoy live musical performances from DJ Pee .Wee (aka Anderson .Paak), DJ Ruckus, and DJ Pookie Chapstick, while Next Iron Chef champion Marc Forgione marks his Rosé Day return by curating a gourmet culinary garden featuring caviar, lobster and LA’s finest food trucks. Guests will also revel in extraordinary art installations, luxury brand activations, lavish giveaways, life-sized games, and more – all set against the stunning backdrop of the Santa Monica Mountains.
The Rosé Day Los Angeles ownership team is comprised of production and hospitality veterans, including producer and entrepreneur Ben Biscotti (Co-Founder and President of 1iota Productions), award-winning event planner and designer Tony Schubert (Event Eleven), nightlife veterans Sylvain Bitton, JT Torregiani and David Jarrett (Warwick and The Hideaway) and famed chef, two Michelin Star recipient and Food Network’s Iron Chef America champion, Marc Forgione (Restaurant Marc Forgione, Peasant and One Fifth).
"Rosé Day Los Angeles will once again be the official kickoff event to usher in the summer in style,” says Rosé Day Los Angeles co-founder Ben Biscotti. “We look forward to creating an immersive atmosphere that will captivate all of your senses and showcase some of the best food, wine, spirits and brands. We are thrilled to bring this incredible event back to National Rosé Day again this year, where it belongs, and we cannot wait to welcome in summer alongside our partners and friends.”
New partner, Wynn Nightlife, will bring its acclaimed hospitality brand and renowned Las Vegas presence to the Rosé Day experience.
Aston Martin of Galpin will be the luxury car partner, activating onsite with a brand new DB12 in spectacular florals.
Top champagne houses Perrier-Jouët and G.H. Mumm will supply the rosé champagnes, and attendees will have their selection of featured rosé and wines such as Sainte Marguerite en Provence, RUMOR Rosé, Lady A, and more. Sainte Marguerite en Provence will be back this year with an immersive Provence-inspired lounge having guests feel as if they were transported to the south of France, while they sip two exquisite wines; Fantastique Rosé, certified organic and vegan rosé wine precisely crafted from Grenache, Cinsault and Rolle grapes for balance, structure and precision and Symphonie Rosé, bringing its finesse and freshness with notes of delicate aromas of floral, white peach and grapefruit peel.
Tequila Don Julio will be the exclusive tequila for the first time this year, bringing an experiential bar activation where attendees can enjoy signature craft cocktails featuring Tequila Don Julio Rosado, a Reposado tequila finished in Ruby Port wine casks. Guests will also get to savor The House of Suntory Japanese spirits, including Haku Vodka and Roku Gin from the Cherry Blossom Lounge. Guests can enjoy their sip and savor experience from On The Rocks Premium Cocktails. Delola Cocktails, founded by Jennifer Lopez will bring their ready-to-drink craft cocktails to the event. -196 Vodka Seltzer will also be available along with Bruno Mars’ and Anderson .Paak’s SelvaRey Rum.
The gourmet food truck lineup was hand-selected by famed Iron Chef Marc Forgione, and several food trucks will also feature a collaboration for some of his signature dishes. The food partners at the event will include Caspian Queen Fine Caviar and Shucks Oyster Company for caviar and oysters as well as Cousins Maine Lobster, Vivace Pizza, Baby’s Badass Burger, Love Bird Fried Chicken, Wise Barbecue, Cerda Vega Tacos, Creamy Boys Real Fruit Ice Cream, Rice Balls of Fire and more.
This year will include a brand-new Non-Alcoholic Zone featuring wellness brands, pampering experiences and mocktails. Non-drinkers can still celebrate the occasion and get pampered with wellness treatments, products and non-alcoholic beverages, including pressed juice bar by Bare Essentials and Roots Lyfestyle, Organic French Bubbly, 0.0% Alcohol by French Bloom, NOOH By LA COSTE, the leading all-natural plant-based recovery supplement focused on optimizing your liver health as the last shot of the night by The Plug, and the world's first productivity drink, Magic Mind. Good Juju, SoCal’s premier organic and holistic mocktail bar, will be serving mocktails. Dr Refresh Med Spa will be doing IV drips and massages.
This year will also include the return of the popular Frosé Zone presented by POM Wonderful, offering both alcoholic and non-alcoholic options, made with POM Wonderful 100% Pomegranate Juice to add antioxidant goodness and a sweet yet tart flavor – a refreshing twist on a fan favorite.
Red Bull will preview an exclusive first taste of their new Sugarfree Red Edition (Watermelon), which launches market-wide following.
Guests will be treated to special hydration experiences with VOSS Water, and additional sponsors include Floral Crush Studio, who is doing all of the lush florals for the day across the event.
Main Attractions & Activities:
Live music and DJ lineup by DJ Pee .Wee aka Anderson .Paak, DJ Ruckus, DJ Pookie Chapstick and more
Non-Alcoholic Zone
Frosé Zone presented by POM Wonderful
Games: cornhole, giant Jenga, giant Connect Four, giant chess, backgammon and more
Luxury brand activations
Art installations
Gourmet food trucks, specials and delicious food pairings
Instagram-worthy moments
VIP tables and cabanas
Event Details:
Date: Saturday, June 8, 2024
Time: 1:00pm – 8:00pm
Location: King Gillette Ranch: 26800 Mulholland Hwy, Calabasas, CA 91302
Tickets: www.RoseDayUSA.com
Prices start at $175 for general admission ticket with open bar
Table options range from $5,000 for 6 people to $17,500 for VIP cabanas for 15 people
Sydney Sherrill Announces Upcoming "Luckiest Girl Alive" EP With Title Track and Clip
Singer-songwriter Sydney Sherrill has announced her new EP “Luckiest Girl Alive”, out July 12th. Setting the tone for what’s to come, Sydney has also released her new single and title track, “Luckiest Girl Alive”.
Singer-songwriter Sydney Sherrill has announced her new EP “Luckiest Girl Alive”, out July 12th. The project acts as a time capsule of her youth, encompassing the various emotions she experienced personally or witnessed from those around her. Setting the tone for what’s to come, Sydney has also released her new single and title track, “Luckiest Girl Alive,” which showcases her dynamic vocals as she speaks on having life fall into place after meeting that special someone. In the accompanying music video, directed by Sam Leviton, viewers get a first-hand look at her path to future-stardom.
“‘Luckiest Girl Alive’ is such a special track to me. I loved writing it, making it, and it’s one of my favorites to perform live,” shares Sydney. “It’s my version of a love song but really it’s a love song to myself. It’s about feeling on fire when things start to feel like they’re finally going your way.”
On the “Luckiest Girl Alive” EP, she adds, “I am so excited to be releasing this EP! I am so proud of the songs and the journey that it took making them. I’m really glad to be exploring this new sound as I continue developing who I am as a person and as an artist. I can’t wait for everyone to hear it!”
“Luckiest Girl Alive” marks a new era in Sydney’s musical journey by adding a bit more edge to her Southern-rooted sound, a direction she explores even further on the new EP. “Luckiest Girl Alive” follows the recent release of her debut album “17 Young and Stunning” which sees Sydney describing the highs and lows of young love while her forthcoming venture finds her settling into a sound and style that best represents the artist she aims to be.
“Luckiest Girl Alive” was recorded at John and Martina McBride’s Blackbird Studios in Nashville, produced by Kim Wood Sandusky (Beyonce, Kelly Rowland, Thomas Rhett), mixed and mastered by Greg Collins (Gwen Stefani, Ingrid Michaelson, Michelle Branch), and is available for pre-save now here.
Sydney’s powerhouse vocals, memorable hooks, and ability to write relatable anthems for Gen-Z makes her an essential artist on the rise. At just 19 years old, the New York based singer-songwriter draws inspiration from the likes of Taylor Swift, Stevie Nicks, and Adele, as her songs embody earnest narratives that mesh pop melodies with folk and rock undertones. To date, Sydney has amassed over 1 million streams and garnered media support from the likes of Voice of America, Cowgirl Magazine, Whiskey Riff, and Spindle Magazine among others. Captivating audiences with her distinctive voice and stage presence, she has opened for American music icon Sheryl Crow and performed at the largest single night fundraiser for the American Cancer Society at the 50th Annual Cattle Baron’s Ball in Dallas headlined by Shania Twain. She has also had the privilege of singing the National Anthem at various sporting events for the Texas Rangers, Carolina Hurricanes, and Dallas Sidekicks, to name a few.
Interview: Bria Cheri Discusses Her Single "On 2 the Next" and Upcoming Album
NYC based R&B/Soul artist Bria Cheri just dropped the single “On 2 the Next”, so DCWS connected with her for an exclusive interview to discuss the release, as well as her upcoming debut album, and much more.
“As a young woman I’ve had my fair share of dating experiences. Through those times, I’ve come to the realization that you must keep optimistic and believe you will connect with the right person when the time is right.”
Congratulations on the release of your new single "On 2 the Next"; tell us about your creative process for writing the song and how you connected with producer William Lockwood.
Thank you! The concept of the song stemmed from how difficult dating in this generation has become. Everyone has their own expectations, intentions, and most times it never amounts to anything substantial. So, I wrote this song for people who don’t just want to accept settling for someone they don’t feel is for them just for the sake of being in a relationship. Go on to the next person until you find the best person for you.
I connected with William through my uncle, who has been in the industry for quite some time. He introduced me to him and from there, I gave him ideas of specific music I was looking to make, and he started sending me beats. When I heard the beat for “On 2 The Next” I was blown away with how unique it was. I knew I had to write on that track.
Would you say that "On 2 the Next" is based on a personal experience?
Yes, it is. As a young woman I’ve had my fair share of dating experiences. Through those times, I’ve come to the realization that you must keep optimistic and believe you will connect with the right person when the time is right. So, I drew from my emotions I went through when making this song.
Will "On 2 the Next" be featured on an upcoming EP or album? If so, what can you tell us about the project?
It will be featured on my upcoming debut album. I’m currently in the process of recording the project as we speak. With this project, I want to bring an element of fun back to R&B and give people a view into my world.
You've mentioned that your musical influences include Aaliyah and Chaka Khan; what about them has inspired your artistically?
Aaliyah was and still is my favorite artist to this day. She was the one that inspired me to pursue music growing up. Aaliyah had a clear vision for herself artistically and wasn’t afraid to take chances. I remember seeing her on TV being in awe of her work. She had the full package and exuded confidence, was cool and did so with grace. It’s similar to how I approach my life in and outside of music.
Chaka Khan is another artist I fell in love with as a child while listening to her music with my Nana. I loved how Chaka utilized her voice to emote through the soulful tracks she was on. That alone inspires me to dig deep and pull those emotions out when singing.
You’re not just a music creator, but an actress and dancer as well. Tell us about these ventures and how you manage to juggle everything.
Well, the dancing is incorporated into music videos or live performances. The acting aspect is another part of what I aspire to do as I evolve in the industry. I’ve done a few features in smaller productions for independent films, but I would love to one day have more opportunities to grow as an actress.
Time management is important, and I pace myself to focus on one thing at a time.
Stream and Share “On 2 the Next” on Bandcamp
Connect with Bria Cheri: Website | Facebook | Instagram | X | TikTok | Spotify | YouTube
Interview: Jaehyun Kim of Orey Eyed Talks About His New EP "The Last Flight to You"
Check out our exclusive interview with Yongin-si, South Korea based artist/producer Jaehyun Kim who has released his new EP “The Last Flight to You” through his music project Orey Eyed.
“With these influences and also the need to share my feelings through sounds, Orey Eyed started out as my latest attempt at sharing my creations with the world.”
Congratulations on the completion and release of your debut EP "The Last Flight to You". Tell us about your creative process for the project's development and what inspired you as you were working on its three tracks.
First of all, thank you, I'm glad to see all the positive responses to the EP! Initially all three songs were part of a bigger project, but the plan was still vague at the moment.
Writing new tracks and exploring sounds for this new project, I wanted to make a full length LP right from the start. But as I proceeded, the sound palette expanded and shifted so much that it didn't make sense to group all of the tracks into a singular album. So I made a list of early tracks and demos of mine, mostly heavy on synth-pop and dance music influence, and then released this EP as a result.
Inspirations for this EP came from everywhere: films I've watched, trip to Osaka back in 2017, relationship, etc. I think they all accumulated to a certain sonic atmosphere the EP has.
Were there additional songs that you recorded for the EP but decided not to include? If so, why?
There were alot of half-finished demos and ideas that I've worked on for this EP, but only three proper unreleased songs. One was called "Icarus", not included because it was more of an indie rock track than synth pop. Also it had quite explicit and private lyrics, and I wanted to keep it a secret song. Other ones were titled "If You're Scared" and "Long Hair", also didn't fit in the EP, but might rework and include them in the upcoming LP!
When initially did you start creating music, who influenced your artistry, and at what point did you decide to take it to the next level with the project Orey Eyed?
I played guitar in an after-school class in elementary, and also jammed with my best friend back then, Aaron, in his apartment. While I did try to write my own melody line or chord progression at the time, I didn't know how to produce properly until 2019.
Hearing Avicii on the radio was like a breath of fresh air for me, and the desire to recreate synth leads I've heard was the major drive for me when I started producing. My earliest tracks were made on a free online DAW, and were mostly just poorly executed attempts at copying progressive house tracks.
Later on I got into different genres, with my favorites being acts like Perfume Genius, Lala Lala, The 1975, Chairlift, Dominic Fike, Flume, Lucid Fall, etc. Basically just too many influences and too many favorite artists, so I can't really define my taste now, it's just a vague feeling. On top of all, being a big fan of Linkin Park since my cousin played Meteora on a car ride when I was younger, blending together genres - just like LP did - to create something engaging was my goal, too.
With these influences and also the need to share my feelings through sounds, Orey Eyed started out as my latest attempt at sharing my creations with the world. Yearning for a fresh start for the new year was also why this project was made.
What can you tell us about the full length album that you are working on? Do you have a working title for it?
Sure, the album is starting to take shape. I'm not sure if I want to reveal the working title yet, but it does have title and artwork ready for the sake of artistic concept.
The album will be released around this summer if everything goes as planned, and will include collaborations with other artist(s), too.
How would you describe the music scene in Yongin-si, especially for emerging artists and producers? Is there a community for music creators to connect with each other, meet new fans, and perform live?
Yongin-si isn't necessarily a vibrant city when it comes to the music scene, at least not in the genres I'm invested in. Seoul is nearby and definitely has a better scene, but I found it easier to find musical communities elsewhere in countries where the type of music I enjoy and make is bigger. However my music got influenced by some of my friends for sure. Some of them made mixtapes for me when I was younger, and I've briefly been part of a pop cover band in my highschool, too.
What are some of your goals musically for the remainder of 2024?
I would love to release the LP as planned. Might release it on vinyl too. Also playing live shows is on my list.
In general I would just love to create more, reach out to people from around the world, and see how it turns out to be!
Stream and Share “The Last Flight to You”: Spotify | Bandcamp
AG Club's Jody Fontaine and Baby Boy Drop "BRODIE WORLD" Mixtape
The duo of Jody Fontaine and Baby Boy of hip-hop collective AG Club have released their latest mixtape "BRODIE WORLD". Alongside the ten-track project, they share the official music video for the song “ROWDYRUFFBOYZ” off of the tape.
The duo of Jody Fontaine and Baby Boy of hip-hop collective AG Club have released their latest mixtape “BRODIE WORLD”. Alongside the ten-track project, they share the official music video for the song “ROWDYRUFFBOYZ” off of the tape.
Fusing playful imagination with an innate sense of aesthetic, BRODIE WORLD is whimsical, masterful, and electric—a glimmering constellation of sharp technique and raw impulse. It plays out as an immersive, free-wheeling adventure, at once quintessential AG Club yet a confident evolution and statement from Jody Fontaine and Baby Boy. Full of high energy bars, mesmerizing melodies and shapeshifting sonics, the mixtape is powered by previously shared songs and music videos like “eva” and “Barry.” BRODIE WORLD includes guest contributions from Mike Dimes, Igwe Aka and Mercury, as well as production contributions from Hippie Sabotage on one song.
The just-premiered video for “ROWDYRUFFBOYZ” places the viewer in a familiar corner of AG Club’s world: an otherwise tranquil scene that AG Club discovers is actually the perfect site for some organized chaos. Still, the duo is committed to its range, and doesn’t shy away from experimenting with pace and tempo. As the album winds down, on tracks like “Iron Giant” and “Sabine,” they present more moderately as they explore themes of vulnerability.
The group has steadily built its audience with a multitude of releases since 2019, leading to appearances at global festivals such as Coachella by last year. AG Club has been crowned the “next big music collective,” by Nylon, “genuine, pure, and unlike anything you’ve experienced before” by Billboard and “The Bay Area music collective you wish you could join” by i-D. Baby Boy and Fontaine’s commitment to cohesion and culture has helped them develop a cult-like following that continues to grow with them, from 2020’s Halfway Off The Porch to 2022’s Imposter Syndrome.
It isn’t just a journey that AG Club has been on, it’s a world that they’ve been building. This is your official invite. BRODIE WORLD is now available.
Interview: Rainy Days Discuss Their New Music Video for "Sunspot Ghosts"
Check out our exclusive interview with the NYC based alternative rock band Rainy Days, as we discuss the newly released music video for their song “Sunspot Ghosts”, how the bandmates originally connected, and much more.
“The band name represents that sense of calm and sometimes peaceful melancholy that a rainy day brings.”
Congratulations on the release of the music video for "Sunspot Ghosts". Tell us about the band's creative process for the song's development.
Writing the song was super quick for us. Two of us sat down with a ukulele and were like “let’s make a Joji song” essentially. Added some bass synth, keys and guitar and it’s banging. I think we didn’t go too far off the mark!
Your Trystan Cruise directed music video is incredible. What inspired the clip's treatment?
We had this idea for a vampire getting hunted and the living with the guilt of what it takes for him to stay alive. It was a really fun, eerie and dark kind of piece to put together. A lot of it came along as we went.
How did the members of Rainy Days initially meet and then decide to form a band, and what does the band name represent?
Oh boy. Rainy Days originally formed online between me and Pedro, and Doogie. I was in PA and later NY, whereas Pedro lives in Portugal and Doogie was teaching English in Spain. We concocted some crazy good stuff and the foundation of Rainy Days. Now, we have a lot of vibrant jams coming from our NYC based crew.
The band name represents that sense of calm and sometimes peaceful melancholy that a rainy day brings. The steady beat of the drops, the spooky nights and gray skies.
Who are some of the band's musical influences and how would you say you differentiate yourself from other rock acts that have come from NYC?
Our influences include indie rock acts like Arctic Monkeys, The Strokes and Surf Curse, and also more alternative styles such as Deftones and Starset.
We stand out through the unique lyrics, bouncy drum beats and dreamy electronic elements.
Tell us about “ARCHVILLAIN”, the EP that the "Sunspot Ghosts" song is featured on.
It released on May 6th of 2023. From ethereal tracks “Youth, I’m Yours” and “Sunspot Ghosts” to more surfy tunes like the titular track “Archvillain”, our first EP is a blast of a time.
The release artwork is insane, too! It’s a Godzilla, Gundam, Yu-Gi-Oh! themed battle hand painted on canvas by artist Trystan Cruise.
Stream and Share “ARCHVILLAIN” EP on: Spotify
Connect with Rainy Days: Instagram | TikTok | Spotify | YouTube