Interview: NYC Based Artist Mimz The Magnificent Discusses His New Single "Illusiv3"
DCWS connected with NYC based artist @mimzthemagnif for an exclusive interview to discuss his newly released single “Illusiv3”, featuring Chicago based artist Semiratruth, and much more.
“When I played it for Semira when she came to visit she instantly told she we had to re-record with her also on if. That was pretty much the process and it’s our first solid collaboration...”
Salute to you and Semiratruth on the release of your self-produced new track "Illusiv3"; how did you connect with her and what was your creative process for its development?
Much appreciated for real. Semira and I have been long times friends for the course of about 4 years now I believe! We were under the same label for awhile in our younger days and finally met up in person a little over two years ago.
We recorded the song last summer when she came to visit New York. The beat was initially made a bit beforehand and the way it came about was from a song I was listening to and the one line that I sampled just got me in a sorta loop.
When I played it for Semira when she came to visit she instantly told she we had to re-record with her also on if. That was pretty much the process and it’s our first solid collaboration that I’m really happy about.
Will "Illusive3" be featured on an upcoming EP or album this year, and can we expect a music video for it?
We’re actually plotting on a video for when Semira comes to NYC next time but the date is pending. The song was also a nod to my solo tape coming out mid-year that it’ll be featured on.
You're not just a dope solo artist, you are also a member of the neo-soul group band called Fib9 (Fibonacci 9); tell us about the music you guys make and where our readers can check it out.
So Fib9 was created earlier this year kinda serendipitously. We make something my drummer and keyboardist like to call “Neo-Fusion” which is a medley of hip hop, jazz, and neo soul but also very transcending.
Our first show we actually played a punk rendition of all our songs. On some raw underground shit we really also pride ourselves in being a band you have to experience in person so we don’t have anything out right now. Currently though because of the pandemic it’s hard for us to link up and perform so are currently on a hiatus sadly. We are plotting to figure out a way right now that we can record while social distancing cause the folks been in demand!
Along with your own material, do you also produce for other artists? Also, what software/hardware do you use to create beats?
Yeah I’ve produced for several artists and I’ll tip my hat to my homies at the collective Planet Locale for working with me more as a producer than rapper at times.
I currently produce off of FL Studios but am trying to cop an SP-404 for the low.
We've got a long year ahead of us; what are some of your goals artistically for the rest of 2021?
I currently got four tapes I’m tryanna organize and I’m dropping an EP early February with my dawg Dunn! My goal this year is to organize my timing as best as possible when it comes to how I wanna go about releasing my craft. But this year is definitely full with back to back projects and drops, so definitely be on the look out for allat!
Connect with Mimz The Magnificent: Instagram | Twitter | Soundcloud
Review: "Arepa" Album by KS
Check out our in-depth review of “Arepa”, the brand new album released by Los Angeles based musician and filmmaker KS.
Los Angeles based musician and filmmaker KS deftly blends a vast selection of styles in a psychedelic fashion with the celebratory energy of “Arepa”. The mixture of electro, dance, rock, funk, and pop works wonders as it swirls together in its sly, limber grooves. Melodies radiate such tremendous color and there is a celebratory spirit within each track. Layers intermingle, woven together in such a careful yet simultaneously carefree fashion. Never rushing things, atmosphere proves to be of the utmost importance for the way it rolls through feels fantastic.
References abound, but KS’s style shares an affinity for slow-moving mid-fi funk jams like Com Truise’s flawlessly sculpted fat basslines. Everything about the album has an almost nostalgic cadence to it, for the meshing of rock and electronic structures means that it does not comfortably fit in either category, but instead has a hybrid-like tact. With this sort of nod, KS also brings a bit of Justice’s messy approach into the fray for the distortion is laid on pretty thick at times featuring some truly joyous moments that shine in such a clear, lovely, lilting way.
The catchy riffs of “Mind’ set the tone for the rest of the album featuring an exquisite hook that constantly evolves. A spaced-out electro vibe rests at the core of the vast sweeps of “Engel”. “Vox” features a fantastic little beat workout as the song churns and contorts in fantastically gorgeous ways. Surrealist delay and tonal decay add to the tactile percussion on the infinitely stylish “Montuno” easily the highlight of the entire journey.
Jazzy accents reign supreme over “Control”. Layer upon layer filters into the fray on the elastic tempos of “Centipede” where various disembodied vocals give the song a gleeful, almost Dan Deacon-like ethos. Beats go for a giddy spirit with the jubilant “Romp”. Sprawling and spacious “Huevon” offers satisfyingly sweet breakdowns as the song unfurls letting its freak flag fly. Quite ambitious in nature, the whole of the album comes to the fantastic conclusion on the reflective “Mess”.
The “Arepa” album shows off KS’s sun-drenched style, a gorgeous set that creates a whole mood one that has a tremendous sense of warmth to it.
Stream and Share “Arepa”
Interview: UK RnB Singer-Songwriter Rosita Discusses Her New Song "Masterpiece"
Meet Rosita, a UK R&B queen from the other side of the pond. We connected with @rositaateixeira to talk about her new single, “Masterpiece”, working through COVID, and how she got to the place that she is today.
“I feel singing and performing live will always be food for my soul, however there’s just something about writing and sharing personal, raw, vulnerable songs and people relating to them.”
How did you get your training as a musician? Are you self taught? Tell me about your back ground in singing and songwriting, and how you discovered your love for both. Additionally, what feeds your soul more: singing, or songwriting?
I think one of the biggest misconceptions people make about me is that my voice and singing ability came from nowhere. It’s probably half true, but vocal/performance training definitely played a huge part in my development as an artist.
I started singing around 8 years old when I attended a performing arts school, alongside that I was having private vocal lessons, where I was trained in genres such classical, musical theatre and light opera. I started writing my own songs at around 12 years old, I had just been bought a piano so I was always playing chord progressions and writing lyrics to them.
My musical style began to change when I started writing my own music and started to establish my own artistic sound being pop/soul; my style now has evolved into R&B. I have always been influenced by some of the greatest vocalists in R&B/Soul such as Amy Winehouse, Lauryn Hill, Beyonce etc. Other influences include Ariana, Jhene, and Jazmine Sullivan.
Even though I was vocally trained for years, by listening to these artists, I was able to adopt techniques such as riffs and runs etc. Being able to pour every emotion I have into a song and let it out as a form of therapy is hugely important to me, if I have an issue I write a song about it and put it to bed. I feel singing and performing live will always be food for my soul, however there’s just something about writing and sharing personal, raw, vulnerable songs and people relating to them. That definitely feeds my soul more.
“Masterpiece” has a jazzy back beat that seems to blend a few influences and perfectly matches your voice, whereas “3AM” seems to pick it up a bit with afrobeat and dancehall inspiration. What’s the process of choosing a beat and working with producers on your tracks to make sure they fit your vision?
For each producer I worked with it’s always been a slightly different process. I originally wrote “3AM” on keys and was super sultry and ballad-like. Once I had sent the song over and received back the first demo I was like woah, this brings a whole new feel and type of energy which I loved, I think it can be hard putting your trust into producers because you have to make sure what they’re making represents and resonates with your sound as an artist; not just theirs.
With “Masterpiece” I worked with Kenniblu, he sent me a few beats and I chose whichever I felt most drawn to, being the beat behind “Masterpiece”. I think these beats were initially made for hip hop artists, but with my melodic lyrics it seemed to fit really well.
When I first heard the track for “Masterpiece” I fell in love with the whole sound and thought I could write something real special. I managed to write the whole song the day I was sent the beat, everything just flowed and felt so natural writing to it; it was definitely a bit of me.
The meaning behind “Masterpiece”, as you’ve mentioned before, is all about confidence and self-love, which we always celebrate at DCWS. Does making music help you practice self confidence and self love, or was there a particular story behind “Masterpiece” that mentally took you to that space?
It’s taken me a while to learn to be confident in my own body, I’m still learning today. Some thing that helps me is listening to empowering songs, songs about self love, feeling good etc. I wanted to make one of those songs so other people can listen and get the same feeling I did.
Did CV a creative block on you or motivate your music making process?
When we initially went into lockdown, I had lost all my gigs and uni had closed; this gave me all the time in the world to write, record and better my skills as a musician. It definitely motivated me in terms of making music, I didn’t have life get in the way of anything so everything was pretty smooth in terms of the music making process and releasing music.
I had all my recording equipment with me at home, so I was able to still create, I definitely think this lockdown was a blessing in disguise for myself and my artistic development.
What was the first gig you booked and what did it mean to you? Since social distancing guidelines and livestream concerts, we’ve entered a new era of concerts. What was the favorite venue you ever played at, and would you ever consider doing a livestream performance?
Since about 13 started doing pub/bar gigs as a good money earner and to gain performance experience I guess. But the first gig booked for myself as an artist was on the Unsigned Stage at NEC Birmingham, it was awesome. I had a full band with me too, which is just a wholesome experience; hearing arrangements of your own music is so beautiful.
My favourite venue/gig I’ve ever played has to be at Gloucester Rooftop Festival, the vibe and setting was stunning, the atmosphere was great and I had a whole orchestra backing my songs. It was such a surreal moment and one I defo won’t forget!
I would definitely like to do a livestream performance, I would prefer to perform with my band/ some sort of live backing rather than use tracks, I guess that’s why I’m a little hesitant to do so currently. Hopefully very soon though!
Your sound reminds me a lot of old school R&B songstress - you cite H.E.R and Jorja Smith as inspirations, but are there any contemporary underground artists that inspire you today?
I’m always listening to new, up and coming R&B artists, some recent artists which I’ve been inspired by include: Kojey Radical, Victoria Monet, Jessie Reyez, Miraa May, RAY BLK and KAYWHT.
Tell us about the Artists Development program “Upsurge” that you were accepted into, and how that influenced your experiences as a musician?
Being a part of Upsurge has enabled me to collaborate with some of the best producers and engineers I’ve ever worked with. It’s also allowed me to connect with loads of other musicians, I’ve made friends for life with some of the members. It’s definitely speed my eyes to new gen res of music, and allowed myself to grow as an artist, in terms of performance, confidence and as a writer.
Who is your dream artist to write songs for, and who do you dream of collaborating with one day?
I would absolutely love to write for/with SZA and Jazmine Sullivan. They’re unbelievable song writers and performers, it would be INSANE to work with them one day!
I would also love to collaborate with Jacob Collier, his musicality and theoretical knowledge blows my mind; I am in awe of his work.
Connect with Rosita: Instagram | Facebook | Twitter | Soundcloud
Interview: LA Based Musician/Filmmaker KS Discusses His Brand New Album "Arepa"
Major thanks to Los Angeles based musician and filmmaker KS (Jose Zambrano Cassella) who connected with DCWS for an exclusive interview to discuss his brand new album “Arepa”, and much more.
“I think visually, my music sometimes is seen as experimental...the structures are not typical, it does have a feeling of various genres thrown together within a song...”
Congratulations on the completion and release of your new album "Arepa". How would you say that "Arepa" differs from your last project, "Quarantronic"?
I released "Quarantronic" right at the beginning of the pandemic, early 2020. Things were so tense, gray and depressing, so I wanted to make a lighter, more fun album. Something sunny and not too deep.
The tracks on that album were bouncy, upbeat and a contrast to what was happening around me. That album came out and was very well received. Throughout the rest of that year I started writing more complex songs, the tone was darker, so I knew the new album would be a little different, yes it has a few funky upbeat songs but the rest are more complex, longer songs.
About the title of the album, the term "Arepa" is a very popular Venezuelan dish (I am Venezuelan), it is kind of like our sandwich, and we put all kinds of things inside of this dish, so..I feel my music is one big sandwich of multiple genres within a song.
How long did "Arepa" take to complete, and were there songs that you recorded that you decided to not include on the final version? If so, why did they not make the cut?
It took around 3 months to complete the project. And I always have left over songs that I didn't include because they didn't fit the theme or style of the album.
I am sure those tracks will be released as either part of a new album or released as singles.
How would you describe your creative process for the development of the album's 14 tracks?
Once I had the basic foundations for the songs, I started asking a couple of female singer friends to help me with a few vocal phrases that I needed for the new songs. I had the melody and key for the vocal "textures" in my mind so I would send notes on how a particular particular piece of vocal should be. I also used my own voice through a vocoder or sped up. I also tried new keyboards sounds I had not used before, that inspired the direction of the music for most tracks.
This album has more vocal textures than the last one. It also has more intricate instrumentation.
I am a huge vinyl fan and buy lots of funk and prog albums and studied a lot of the amazing grooves by 70's and 80's funk artists (The Gap Band, Dazz, Kool and The Gang, etc), those artists inspired the grooves a lot of times, and prog Jazz bands (Weather Report, Brand X, etc) were inspiration for keyboard solos.
Because we were still on lockdown while making this album, it really helped me stay sane.
As someone who is an award winning filmmaker and a musician, in what ways are film-making and the creation of music similar, if at all, to you?
I think visually, my music sometimes is seen as experimental (something I don't think it is), but I get it, the structures are not typical, it does have a feeling of various genres thrown together within a song, and there are solos! (that comes from my love of metal and Rock music).
I see the songs visually in my mind, kind of like a script, this section goes first, that other section there needs more color, etc. So, yeah, I think mostly as a filmmaker so I guess that transfers to the music.
With the "Arepa" album now released, what are some of your goals musically for 2021?
I am already sketching more songs ideas, I am hoping I can do something with more acoustic instrumentation. I play acoustic guitar and a lot of the songs I am working on are guitar based so the new music will reflect that. I will still have electronic backgrounds here and there.
Underrated Female Rappers You Need on Your Radar in 2021
It’s safe to say that being a woman in the rap game is no easy gig. With rappers like Tierra Whack and Mulatto finally breaking through to the mainstream, we’re here rooting for the other underrated rap queens that need to get some more visibility ASAP.
It’s safe to say that being a woman in the rap game is no easy gig. With rappers like Tierra Whack and Mulatto finally breaking through to the mainstream, we’re here rooting for the other underrated rap queens that need to get some more visibility ASAP. Here are the hottest to know about in 2021.
Flo Milli
Flo Milli has been compared to Nicki Minaj, but with her unique flow and delivery, we think she’s fully developed a sound on her own, at the young age of 20. Flo is definitely primed to put Alabama on the map the way Meg did for Houston, and we hope she never loses her bold and brazen attitude that’s ever-present on tracks like “In the Party” and “Like That B*tch.”
Armani Caesar
Armani is signed to Griselda and has popped up on other Griselda artists songs, like Benny the Butcher and Conway the Machine. From rhyming about coke to crime, her voice fits flawlessly on every Griselda beat, and those beats are not easy to rap over. She ranks high up there with the label’s best male rappers, and even out-raps the boys on tracks like “Gucci Casket.”
CHIKA
We discovered CHIKA after her jaw-dropping performance on NPR’s Tiny Desk series. This Alabamian artist is maybe one of the most inspiring and talented rappers we’ve ever seen come out of this day and age. Along with her lyrical gift, a kind of gritty honesty juxtaposed with vulnerability is what makes this young artist so mesmerizing. From worries about society to her own troubles, CHIKA is always relatable, and headed towards greatness.
Jucee Froot
Jucee Froot first popped up on the soundtrack of Insecure with the track “Eat Itself” which kept us hooked. This tatted queen gives us Gangsta Boo vibes, and can definitely hold her own with male rappers. Her lyrics are always sexually empowered (re: the “Girls Kissing Girls” video) with a Southern sound that makes you want to get a little wild.
BIA
BIA is just now getting the fame she deserves thank to her hit “Best on Earth” with Russ. Still, we can’t wait to see a new piece of work from this queen, who tackles aggressive bars with an effortless, casual vibe. BIA’s tracks are cocky, smooth, and always bringing strength to her fellow women.
KentheMan
This lyrical up and comer from Houston slays freestyles and has released songs that are definitely on our radar, including “He Be Like” which we haven’t been able to get out of our heads since its release in 2019. Her voice has a bassy essence that works perfectly with her bass-heavy production. With that pink hair, we even get a young Lil’ Kim vibe.
Ivorian Doll
Asian Doll might be dominating the US with her beats, but it’s Ivorian Doll who we see as the real underdog right now. There aren’t too many female artists coming out of the UK Drill scene,
And Ivorian is definitely leading that charge. Her diction and force hit us hard every time without being overwhelming. She’s not afraid to throw shots, and every diss gives us goosebumps.
CupcaKke
This curvy rapper is aggressive as hell, and we’re here for it. Tracks like “Discounts” deliver straight bars, but her ability to write and deliver diverse content with confidence is what keeps us coming back for more. The execution hits harder than most mumble rap dudes dominating the game right now, and we hope CupcakKe gets the come-up she deserves.
Los Angeles Based Musician/Filmmaker KS Releases His Latest Album "Arepa"
Los Angeles based award winning filmmaker and musician KS has released his fifth album entitled "Arepa"; listen to the project now and be on the lookout for our in-depth review.
Jose Zambrano Cassella is a Los Angeles based award winning filmmaker and musician, originally from Venezuela, who records under the name of KS. The instruments KS plays that you’ll hear in his music, which ranges from rock to pop and electronic, include guitar, synths, drums, bass and kitchen appliances.
KS has released several well received albums, including “The Tinnitus Made Me Do It”, “Funky Elevator Music”, “Puta's Brew”, and his latest release “Arepa”, which is comprised of 14 songs. We won’t give too much away because our in-depth review of the album is coming soon, but trust us when we tell you that it is refreshing collection of songs that really delve into the mind of a creative soul.
Listen to “Arepa” for yourself below, stream it on your preferred music service and connect with KS on his website and social media. Also, be on the lookout for our exclusive interview with KS and our review of the “Arepa” album.
Review: "manic depression for dummies" EP by Dre A.M.
Dre A.M.’s new EP, “Manic Depression For Dummies”, proves to be a truly spellbinding work, one that shows off his deft skill in exploring ugly truths and how to navigate one’s own moods in a way that feels refreshingly honest.
Queens based rap artist Dre. A.M. spits pure fire on the feral flows of his newly released “Manic Depression For Dummies” EP. Lyrics here focus on the self, the relationships between people and the thoughts that fly on by in their entirety. The songs are kept to the essentials as the vocals here steal the show with his rapid delivery in an almost staccato rhythm. The verses have a tremendous intensity to them and the razor-sharp focus cuts through any filter. With this stark vision, Dre A.M. crafts a project that is incredibly direct.
Dre A.M.’s directness brings to mind some of Earl Sweatshirt’s output, for, like Earl’s work, there is a sense of brutal truths that arise. Dre A.M. does not sugarcoat it at all, and the songs benefit from the honesty. Beyond this, the deft and nimble work choice touches upon some of Aesop Rock’s dexterity. The production further emphasizes this impact, as there is a clarity to his vision, one where the lyrics are not hidden by layers of effects but rather emphasized by the arrangement itself. Within the whole of the collection, these two influences emerge the most helping to tie the whole of the collection together.
“barely alive” sets the tone for what follows, as the song’s singular sound adds to the jagged edge of the narrative. A rather dramatic emotion ties the harrowing experience together for the beats are kept brutal yet economical. Forward and backward looping effects add to the disorienting trip of “omens” as bad vibes permeate. The sense of panic feels palpable as the way the song is structured gives it a claustrophobic appearance, one that has a vivid realness.
Grooves hit with a physicality on “brevity”. Cryptic noir detail bursts on the scene with the intense journey of “get up”, by far the highlight of the entire collection, as Dre A.M.’s delivery is fierce. Things are kept on the reflective kick with the toy box melody finale of “diamonds”.
The “Manic Depression For Dummies” EP proves to be a truly spellbinding work, one that shows off Dre A.M.’s deft skill in exploring ugly truths and how to navigate one’s own moods in a way that feels refreshingly honest.
Stream and Share “manic depression for dummies” on Spotify
Singer-Songwriter Jordan Ziskin Will Be Dropping His Debut Album "Crazy Child", on February 5th
Acclaimed singer-songwriter Jordan Ziskin is releasing his debut album, “Crazy Child”, on February 5th. A passion project since leaving The Liaisons, the New York based artist has been lying in wait since the album finished production and is finally sending the record out to the world.
Acclaimed singer-songwriter Jordan Ziskin is releasing his debut album, “Crazy Child”, on February 5th. A passion project since leaving The Liaisons, the New York based artist has been lying in wait since the album finished production and is finally sending the record out to the world. The limited release of lead single “Mexico” has already been praised as “simplistic in its essence, yet complex in its dimensions” by Two Story Melody, who also said “a joy is felt through every note.”
Produced by Jon Sheckler and Engineered by Mike Gevaza, Crazy Child is a throwback to the great songwriter albums of the 70’s. The massive productions of “Mexico”, “Sunsets”, and “I’ll Be Waiting” recall the productions of Elton John and the Beatles while the lyrics of the same songs speak to hopeless romance, hopeful heartbreak, and painful compassion. The vulnerability and intimacy of “Crazy Child”, “Never Gonna Go”, and “Think of Me” provides an emotional balance. Through this potent combination or vision and intimacy, Ziskin has forcefully made his presence known as a songwriter to be reckoned with.
Raised on Long Island, Jordan Ziskin became a staple of the New York City singer-songwriter scene as a member of the Liaisons. In 2015, Jordan’s song “Crowded Room” from the Liaisons EP Rendezvous was an honorable mention in the Songdoor writing competition. As an artist, Jordan has played The Bitter End, Bowery Electric, Club Groove, LIC Bar, and Rockwood Music Hall among others. In addition to being a solo artist, Jordan has played and recorded with the Liaisons, Linden St. Connection, and Mon’quez Pippins among others while co- leading the annual Billy Joel Tribute at LIC Bar. Jordan has also co-written for Mon’Quez Pippins debut EP, “Fine By Me”.
Queens Rapper Dre A.M. Releases His New EP "manic depression for dummies"
Queens based rapper and founding member of rap group Internet Strangers, Dre A.M., drops five Drill/Trap/Boom bap songs on his new EP "manic depression for dummies".
Dre A.M. founding member of rap group Internet Strangers drops five songs, ending the chaotic chapter of 2020 with the bang it deserves. manic depression for dummies is a thought twisting, roller coaster of sound which will take you through a journey of climactic self reflection, while listening with rapture.
These tracks sample all of Dre A.M’s dynamic, and diverse style. Consisting of Trap, Drill, and Boom Bap, this unpredictable EP will leave you hungry for more by the artist reigning in gritty New York City.
With his dense wordplay and a great feel for the pocket, Dre A.M. is one of the best lyricists you've never heard of.
Inspired by artists such as Earl Sweatshirt, JID, Aesop Rock and more, Dre A.M. breathes new life into the underground scene with his unique style.
Check out Dre A.M.’s DOPE new EP now, and connect with him on IG. Also, be on the lookout for our in-depth review of “manic depression for dummies” coming very soon!
Connect with Dre A.M.: Instagram
Interview: Los Angeles Artist Tora Woloshin Talks About Her Music Video For "Eclipse"
Major thanks to Los Angeles based singer-songwriter, actress and dancer Tora Woloshin who connected with us for an exclusive interview to discuss the music video for “Eclipse”, which appears on her EP “America”.
“The song “Eclipse” is a song about being in the moment and not worrying about the past or future. The only thing to think about the past for, is learning from it. The only reason to think about the future is to build towards it.”
Congratulations on the release of your new music video "Eclipse"; regarding the song itself, what inspired you to write and produce it?
The first time I ever saw an eclipse, it gave me a feeling that someone only gets on a very rare occasion. Something to compare the feeling of love to. But not just any love. The type of love that makes you overcome all of your fears about love.
The song “Eclipse” is a song about being in the moment and not worrying about the past or future. The only thing to think about the past for, is learning from it. The only reason to think about the future is to build towards it.
This song tells a story about love and fear. Scared of the future because of what happened in the past; then really being able to let go of all that when you meet the right person to let go with.
We're totally amazed by the Adjacent Studios and Roadtrip Sideways Eight directed visual for "Eclipse"; how did you and the directors come up with its treatment?
The treatment I came up with was severely interpretive of the exact feelings this song depicts. So...it had much needed CGI and other unattainable elements. We settled on a simple expression and snippets of the live piano performance.
Tell us about your journey as an artist and what you consider to be your biggest accomplishment thus far in your career.
My journey is very complicated and I have overcome many impossible obstacles. The biggest accomplishment has been getting to know the ins and outs of the business, touring the world with my music and being mentored by Simon Cowell.
What are some things/people/places that inspire your creativity when you are developing new music?
Being outdoors inspires me a lot. Camping and being around animals. Cooking and travelling inspire me a lot as well.
Describe the experience of headlining your own tour in China; what did you enjoy most about your time over there?
When I toured China, it was one of the most magical experiences of my life. I learned so much about the culture and the language; and the way they treated me out there was better than I have ever been treated anywhere in America.
With "Eclipse" now released, what are some of your goals musically in 2021?
Well, I just released an EP with “Eclipse” and my new song “America” on it. The music video for “America” is releasing on Valentine's Day and I will be dropping some short films, more music videos and lot's of singles.
![K-Pop Boy Band CRAVITY Drop Their Third Album "SEASON3. [HIDEOUT: BE OUR VOICE]"](https://images.squarespace-cdn.com/content/v1/53bad273e4b04332c190511a/1611117403813-TTAT25GL7CATB3PXVC2L/Cravity+new+album.jpg)
K-Pop Boy Band CRAVITY Drop Their Third Album "SEASON3. [HIDEOUT: BE OUR VOICE]"
K-Pop boy band, @CRAVITY_twt, are jumping headfirst into the new year with the release of their 3rd album, “SEASON3. [HIDEOUT: BE OUR VOICE]”.
K-Pop boy band, CRAVITY, are jumping headfirst into the new year with the release of their 3rd album, SEASON3. [HIDEOUT: BE OUR VOICE]. The title track “My Turn” is a song that demonstrates the great passion and ambition of CRAVITY, a rising star of K-Pop. The music video expresses their desire for victory and the race to get there; showcasing overwhelming visual beauty with dynamic movement and intense energy through “basketball” and “racing,” which are sports symbolizing speed. EXY from Cosmic Girls (WJSN) was in charge of writing the lyrics, and Korean hitmaker Ryan S. Jhun (Twice, Red Velvet) participated in the production. Since their debut in April of only last year, CRAVITY has marked their relentless movement, sweeping the rookie of the year awards at various music awards ceremonies in Korea. Even with only two albums, their achievements were more than enough to show their presence in the K-pop scene, giving them the title ‘2020 super rookie.’
The third season of CRAVITY’s ‘HIDEOUT’ series depicts the journey and process of “them”, who used to be different, becoming “us” through empathy for each other. While Season 1 [HIDEOUT: REMEMBER WHO WE ARE] represented CRAVITY throwing their hat into the ring to mark their great beginning, Season 2 [HIDEOUT: THE NEW DAY WE STEP INTO] featured ‘The passion and desire of boys against the new world’.
Now, 'CRAVITY SEASON3. [HIDEOUT: BE OUR VOICE]' is ready to connect the members together; the times when they were trainees running nonstop to achieve their dream, the dream of their debut finally coming true, and the times and memories after they were given the name CRAVITY. With all the stories behind their rough journey towards new boundaries and various emotions that they felt, the album will fully immerse listeners into their world. In their journey, the members realize that their presence means something important, and that they can be a consolation to the other. The name CRAVITY that they were given, and called for the past nine months, exists because there were fans who supported them. With their music, the members are ready to prove the value of their existence again. In addition, SERIM, ALLEN, and WONJIN were all given lyric writing credits on this album, raising expectations for self-producing in the future.
Listen to CRAVITY’s new album below, stream it on Apple Music and connect with them on their social media.
Stream and Share "SEASON3. [HIDEOUT: BE OUR VOICE]" on Apple Music
German Rock Band Blackout Problems Release Their New Album "DARK", and In-Depth Documentary
@theblackys have released their brand new album “DARK”, as well as the documentary DARK DAYS – THE DOCUMENTARY, which focuses on the creation of the album and the current state of being in a band and living life in Germany, and indeed Europe, today.
Blackout Problems have released their brand new album “DARK” via Sony Music/Music For Nations. The inspired album reflects the German rock band’s response to some of the alarming headlines of recent years, including the resurgence of right-wing forces and the worldwide triumph of populism.
The record blends the energetic intensity of Bring Me The Horizon and Enter Shikari with the melodic potency of Twenty One Pilots.
“DARK” includes the new single ‘DRIVEBY’, which features sinister riffs paired with pulsating electronics among a hard-hitting message formed in lockdown and addressing the darker side of human emotions.
The album includes a string of well-received singles including the sharp bite of ‘GERMANY, GERMANY’, the hard-hitting ‘LADY EARTH’, down-tempo electronics in ‘HOUSEONFIRE’, the upbeat and energetic ‘BROTHER’, the pensive and pulsing title track ‘DARK’ and the emotionally-charged anthem ‘MURDERER’.
Alongside the album Blackout Problems are releasing the in-depth documentary DARK DAYS – THE DOCUMENTARY, which focuses on the creation of the album and the current state of being in a band and living life in Germany, and indeed Europe, today. Episode four is out now and available to watch here.
Listen to “DARK” now, stream it on your preferred music service and connect with Blackout Problems on their social media.
millennium parade Announces Japanese Folklore Inspired Project "THE MILLENNIUM PARADE", Out February 10th
Japanese music and creative collective @mllnnmprd has announced their upcoming debut album “THE MILLENNIUM PARADE”, due out globally on February 10th, and dropped the new single "2992".
Japanese music and creative collective millennium parade are pioneering a new age of collaboration and creation. Organizer Daiki Tsuneta (producer, songwriter, and frontman of J-Pop band King Gnu) assembled a team of musicians, film directors, visual effects artists, designers, and illustrators to bring this unique, multimedia concept to life. Since their 2019 inception, millennium parade have racked up millions of streams across their diverse singles and incredible accompanying self-produced animated music videos, resulting in a dedicated legion of fans. The group's single “Fly with me” was selected as the official theme song for the ‘Ghost in the Shell: SAC_2045’ reboot series on Netflix. The song was also later remixed by celebrated DJ/producer Steve Aoki and brought the group international acclaim. The hype also led to high profile collaborations with DIOR, adidas, Coach, and Cartier, and praise from media including Billboard, Hypebeast, Highsnobiety, Earmilk and more.
The collectives’ hard work will culminate in their debut full length album, ‘THE MILLENNIUM PARADE’, set to release globally on February 10th via Sony Music Japan. The album features the band’s eclectic releases from the last year, alongside new tracks that showcase millennium parade’s range of influences. The group launched an exclusive album pre-save with Apple Music and gave fans another taste of what the record has in store with a new single “2992” - which also serves as the theme song for NHK ‘2030 A Turning Point for Our Future’ documentary and Daiki focused special documentary is called "Daiki Tsuneta 'DESTRUCTION & CREATION’” that just aired in Japan. They’ve also announced their song “FAMILIA” off the upcoming album as the theme song for Japanese film ‘The Family’ about members of the Yakuza organized crime syndicate releasing on January 29th.
Built around the theme of “mourning what we have lost, and celebrating the new year to come”, ‘THE MILLENNIUM PARADE’ album consists of 14 songs of various genres, including jazz, rock, hip hop, electronic and classical sounds. Much like the unending night parade of a hundred demons, ‘Hyakki Yagyo’ (the underlying concept behind millennium parade), each song in the album melts into the next seamlessly, taking the listener on a journey through “the millennium parade”. On the cover, a “Tezutsu Hanabi” (the oldest form of Japanese fireworks, encased in bamboo and held by hand) which was traditionally used to protect from evil spirits, and was also used to pray for a good harvest, is held by Ebisu (one of the 7 Gods of Fortune in Japanese folklore).
Listen to “2992” right now, pre-save “THE MILLENNIUM PARADE” on Apple Music, and connect with millennium parade on their website and social media.
Stream and Share “THE MILLENNIUM PARADE”
Connect with millennium parade: Website | Twitter | Instagram
Dublin's Strawman and the Jackdaws Will Release Their Debut EP "F∇X" on January 22nd
Dublin based musical project Strawman & the Jackdaws' anticipated debut EP ‘F∇X’ will be released on January 22nd.
Strawman & the Jackdaws is a Dublin based musical project consisting of singer-songwriter Riccardo Ranzani, drummer Michael Reolon, guitarist Jacopo Stofler and keyboardist and saxophonist Rory Fleming. Their anticipated debut EP ‘F∇X’ will be released on January 22nd, containing the anticipatory yet well-known singles ‘Precious Star’ and ‘Swallow’.
‘F∇X’ is a bold opening statement from the band, highly representative of their eclectic nature, a constant within the EP tracks. This eclecticism is always harmonized by joyful and playful tones, even though accompanied by profound metaphors and imaginaries. Distant from simplicity and banality, the band’s first EP's outcome is a set of tracks that are simple to catch and interiorize because of the intense collaboration between the musicians. The EP explores the meanings of the concept and the experience of travelling, driven by the belief that no matter the effort it takes; there will always be something to rely on and have faith in, a symbolic light emerging from shadows.
It was recorded at Flaked Studio with Adam Redmond and Terzo Mondo Studio with Giampaolo Rossi and mastered by Robin Schmidt.
Ranging over-energetic, folkie lines, engaging indie-pop melodies, and distorted riffs, the band’s strength resides in their Live shows and in their ability to entertain the crowd. After performing on Irish, English and Italian stages, the band is already booked for shows and festivals around Europe and Russia in 2021.
Review: "Just After Dusk" EP by Jo-Rel, Featuring Ezza CG
Neatly capturing the surreal moment the world is in right now, Choom Gang’s Jo-Rel and @Ezza905 explore strange terrain with the woozy world of “Just After Dusk”. Check out our review of Jo-Rel's DOPE new EP now!
Jo-Rel and Ezza CG spit pure fire on the flawless flows of “Just After Dusk”. Warped, wonderful arrangements help to punctuate the power of their wordplay, for their verses have a tightness to them as they deftly reference a wide slew of pop culture. Everything about the collection stuns from the way they let an entire universe come into their sound. Samples are twisted and transformed into weird rhythms, though with obvious roots in hip-hop. The beats go way into the red as they have an urgency behind them, one that feels absolutely gorgeous.
References abound throughout the whole of the EP, as Jo-Rel and Ezza CG’s extensive knowledge and playful demeanor draws upon some of Das Racist’s style. Beyond this, the incredible dexterity of their delivery and the rather large swath of styles thrown into the mix recall some of Tyler, the Creator’s work in terms of its shockingly insightful observations. Despite using this as influences, their sound is distinctly their own for they manage to craft a universe that swirls around. Their trap beats further add to the freewheeling nature of the sound.
By far the highlight, the opener “Dusk” features a tremendous number of colors that burst forth. From woodwinds to flipped-around guitar riffs, the song has a force of nature to it. Symphonic with the great degree of joy is the elegant grace of “Move” where the bass underpins the whole of the entire journey.
Layer upon layer comes into the fray on the tense scope of “What Y’all Thought?” where the cryptic melody has an almost haunted quality to it. Going for a disoriented quality the swirl of “Right as Rain” features some fantastic call and response work.
“Gameofthrones” features a certain regal poignancy as they distort the sound through a virtual unlimited number of filters. The commanding presence of “Guardian Angel”, feat. Freelance Flint offers a celebratory presence to it, with an undue amount of swagger. Quiet jazz vamps add to the soulful finale of “Meeiune”.
Neatly capturing the surreal moment the world is in right now, Jo-Rel and Ezza CG explore strange terrain with the woozy world of “Just After Dusk”.
Stream and Share “Just After Dusk”
San Antonio Singer-Songwriter Jeremy Parsons Unveils His New Album "Things To Come"
We excited to share with you the newly released album entitled "Things To Come" by San Antonio based singer-songwriter @JMParsonsMusic. Listen to it and watch the visual for the title track right now!
San Antonio based singer-songwriter Jeremy Parsons grew up soaking in the sounds of Texas music in the dancehalls of the Lone Star State. Over the past decade, Jeremy has played all over the U.S. and in Europe, including numerous venues in Texas. Jeremy has charted multiple singles on Roots Music charts and iTunes sales charts, both domestically and internationally. His videos have earned Official Selection status in dozens of film festivals. Jeremy has been featured in publications such as Americana Highways, Americana Rhythms, Relix, and more. Parsons has appeared on Fox, CBS, ABC, and NBC affiliates around the country.
After releasing four singles from his new album, “Things To Come,” including several #1 iTunes charting tracks, Jeremy has finally dropped the full-length collection. The album includes some of Jeremy’s most personal songs to date, including the title track about his past addictions and “Good Ole Days,” about “looking forward to looking back.” The album was released with legendary label Smith Music. It is the follow-up to his hugely successful breakthrough album, “Things I Need to Say.”
